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Year: 2023

‘On the Bridge’ explores the transition from life to death and beyond

‘On the Bridge’ explores the transition from life to death and beyond

“On the Bridge” (“Sur le Pont”) (2022). Directors: Samuel Guillaume and Frédéric Guillaume. Web site. Trailer. What happens after we die? Indeed, as we transition from this world to whatever comes next, what can we truly expect? That’s arguably the most profound – and most mysterious – question that we ask ourselves during our lifetimes. And the only definitive way to know for sure is to actually go through the experience. Nevertheless, that’s not to stop us from speculating about what could occur, an undertaking explored with eloquence, grace and beauty as seen in the captivating animated Swiss documentary, “On the Bridge” (“Sur le Pont”). In 2015-16, directors Samuel and Frédéric Guillaume launched an effort to examine this very question. They interviewed 113 seniors who were nearing the end of their lives, all of them in palliative care or living at home at the time. The filmmakers selected 1,400 extracts from those conversations, totaling 11 hours of material that was eventually edited down to a little over an hour of stunningly gorgeous animation of the interview subjects’ visions about what could lie ahead for them. In essence, a group of individuals at a remote train station await a mysterious outbound ...
‘Our Father, the Devil’ asks, ‘When is it too late to do the right thing?’

‘Our Father, the Devil’ asks, ‘When is it too late to do the right thing?’

“Our Father, the Devil” (“Mon père, le diable”) (2021 production, 2023 release). Cast: Babetida Sodjo, Souleymane Sy Savane, Jennifer Tchiakpe, Franck Saurel, Martine Amisse, Maëlle Genet, Hiba el Aflahi, Valentin Fruitier, Maxence David, Patrice Tepasso. Director: Ellie Foumbi. Screenplay: Ellie Foumbi. Web site. Trailer. It’s truly astounding how mankind is capable of both tremendous greatness and despicable savagery. How can one species lay claim to both? What’s more, how can both traits be found within a single individual? Yet, in a surprisingly large number of instances, that ends up being the case. So how are we supposed to treat someone known for works of beauty and compassion when they engage in pursuits that are of a completely opposing nature? Likewise, what’s to happen to an individual known for hatred and violence who somehow behaves surprisingly to the contrary? If we’re each indeed capable of acts at each end of the spectrum, which ultimately defines our character, and how are we to be regarded as a result? That’s a puzzling question raised in the insightful new dramatic character study, “Our Father, the Devil” (“Mon père, le diable”). Marie Cisse (Babetida Sodjo) lives what appears to be a happy and contented life ...
This Week in Movies with Meaning

This Week in Movies with Meaning

Reviews of “Afire,” “Blue Jean” and “Roise & Frank” are all in the latest Movies with Meaning post on the web site of The Good Media Network, available by clicking here ...
‘Róise & Frank’ celebrates undying devotion

‘Róise & Frank’ celebrates undying devotion

“Róise & Frank” (2022 production, 2023 release). Cast: Bríd Ní Neachtain, Cillian O’Gairbhi, Lorcan Cranitch, Ruadhán de Faoite, Michelle Beamish, Seán Mac Gearailt, Cormac Hennessy, Aonghus Og McAnally, Barley the dog. Directors: Rachael Moriarity and Peter Murphy. Screenplay: Rachael Moriarity and Peter Murphy. Web site. Trailer. The loyalty, devotion and love of our four-legged canine friends is nearly always undeniable. They’re there when we need them, offering us compassion, empathy and lots of licks, the kinds of qualities and gestures that can lift our spirits and make our days a little more bearable, even under the worst of conditions. In fact, such treatment might easily lead us to believe that they’re something more than just furry, little tail-wagging companions, almost as if they’re angels in disguise. That point takes on more than a little relevance as seen in the charming new Irish romantic comedy-drama, “Róise & Frank.” Life over the past year has been devastating for Róise (Bríd Ní Neachtain), an aging widow who lost her husband Frank after 40 years of marriage. Róise lives alone in the Waterford, Ireland bungalow she and Frank occupied throughout their years together. She’s had considerable difficulty overcoming her profound grief, despite half-hearted attempts ...
Clearing the Slate on The Cinema Scribe

Clearing the Slate on The Cinema Scribe

Tune in for the latest Cinema Scribe segment on Bring Me 2 Life Radio, beginning Tuesday August 22, available by clicking here. You can also catch it later on demand on Spreaker, Spotify, Apple Podcasts, iHeartRadio, Podchaser, Audible, Deezer, Podcast Addict and Jiosaavn ...
‘Blue Jean’ challenges exclusion, homophobia

‘Blue Jean’ challenges exclusion, homophobia

“Blue Jean” (2022 production, 2023 release). Cast: Rosy McEwen, Kerrie Hayes, Lucy Halliday, Lydia Page, Aoife Kennan, Amy Booth-Steel, Stacey Abalogun, Scott Turnbull, Dexter Heads, Lainey Shaw. Director: Georgia Oakley. Screenplay: Georgia Oakley. Web site. Trailer. Willingly excluding certain segments of society makes absolutely no sense. By denying productive, creative individuals from the ability to participate in the development of our world, we run the risk of cutting ourselves off from innovations that make our life more fulfilling, enjoyable and equitable. Unfortunately, there are close-minded forces out there that would seek to restrict some of us from the liberties and freedoms that help to make society thrive in healthy and satisfying ways. And those who are left on the outside looking in must decide whether they want to surrender and conform or to rebel and challenge such limiting ways of thinking. Such are the choices faced by a segment of society under attack in the new historical drama from the UK, “Blue Jean.” In the 1980s, the LGBTQ+ community was facing some strange contradictions. In some respects, it was beginning to slowly gain ground in areas like legal protections for civil rights and wider social acceptance. At the same time, ...
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