It often feels like we’re constantly being assessed, evaluated on everything from our creditworthiness to our work performance to our scholastic achievements. But imagine what it might be like if we were scrutinized on highly personal matters, with intrusive investigations into our most highly intimate concerns. Is it worth putting ourselves through such intrusive and potentially intensive inquiries?
There are times in our lives when nearly all of us exceed the limits of our capabilities (and often quite unexpectedly at that). But that can be a tremendous blessing, especially when we’re confronted by circumstances where such enhanced aptitudes are called for. When this happens, we might well surprise ourselves and those who know us, but such amazing revelations can produce miraculous results that benefit many in need.
It’s admirable when someone has obvious enthusiasm for a personal passion and is eager to share that sentiment with others. Most of us can probably appreciate and relate to that kind of fervor, happy for the individual’s obviously ardent zeal. But it can be off-putting when our reaction is seen as less than enthusiastic and met with condescension, arrogance and disdain.
Imagine being forced to live your life completely on others’ terms, never doing what you want, no matter how strong your desire. Sounds pretty dismal, right? Yet, for those in certain communities, that kind of coercion can be an everyday circumstance. The isolation can be positively crushing, removed from what suits you and being forced to pursue your dreams in secret, if at all, for fear of the repercussions. And, in the meantime, you’re likely to find yourself behaving in uncomfortable, unnatural ways, tantamount to living a lie.
“Aniara” (2018 production, 2019 release). Cast: Emelie Jonsson, Bianca Cruzeiro, Arvin Kananian, Anneli Martini, Jennie Silfverhjelm, Emma Broomé, Jamil Drissi, Leon Jiber, David Nzinga, Peter Carlberg, Dakota Trancher Williams, Otis Costillo Ålhed, Dante Westergårdh. Directors: Pella Kågerman and Hugo Lilja. Screenplay: Pella Kågerman and Hugo Lilja. Source Material: Harry Martinson, poem, Aniara. Web site. Trailer. Starting over can seem like a dual-edged sword. In some ways, it may appear to be a tremendous opportunity to begin afresh. In other ways, though, we might feel devastated, completely overwhelmed by what we find ourselves up against. And, in the midst of that conundrum, we could be beset by the feeling of being totally adrift, unable to find our way, emotions not unlike [...]
