Many of us have trouble seeing into the future, sometimes no more than just a week or so in advance. That lack inherently leaves us wondering what’s next and how to plan for it. As a result, we often tend to go from moment to moment, unaware of what awaits us around the corner until we actually find ourselves in the midst of it. But not everyone operates that way
Oftentimes in life we’re presented with turning points that put us in a position of having to make some crucial decisions, including those involving hard choices. They represent significant developments that will likely affect us for a long time to come in myriad profound ways. Yet the power of choice in these matters rests with us, essentially making us the masters of our destinies.
When faced with difficult situations, it may be tempting to want to turn a blind eye, willingly choosing to remain oblivious and ignorant. By tuning out and wallowing in our own complacency, we have an opportunity to lull ourselves into distraction and denial, hoping that the wishful thinking spawned from such practices will somehow materialize into a bona fide reality. But what do we do when we realize that’s not going to happen, when we understand that we’ve squandered opportunities to solve the issues facing us?
“Aniara” (2018 production, 2019 release). Cast: Emelie Jonsson, Bianca Cruzeiro, Arvin Kananian, Anneli Martini, Jennie Silfverhjelm, Emma Broomé, Jamil Drissi, Leon Jiber, David Nzinga, Peter Carlberg, Dakota Trancher Williams, Otis Costillo Ålhed, Dante Westergårdh. Directors: Pella Kågerman and Hugo Lilja. Screenplay: Pella Kågerman and Hugo Lilja. Source Material: Harry Martinson, poem, Aniara. Web site. Trailer. Starting over can seem like a dual-edged sword. In some ways, it may appear to be a tremendous opportunity to begin afresh. In other ways, though, we might feel devastated, completely overwhelmed by what we find ourselves up against. And, in the midst of that conundrum, we could be beset by the feeling of being totally adrift, unable to find our way, emotions not unlike [...]
