Inspirational Wisdom on The Cinema Scribe
Tune in for the latest Cinema Scribe segment on Bring Me 2 Life Radio, beginning Tuesday May 27/
Tune in for the latest Cinema Scribe segment on Bring Me 2 Life Radio, beginning Tuesday May 27/
Most of us would probably agree that learning lessons is an important part of our life experience. However, at the same time, most of us would also likely concur that we seldom know what those lessons will be, what their messages are or how they will arise in our lives. What’s more, and perhaps even more perplexing, we often don’t know who the teachers of those lessons will be. Could they be the circumstances that appear? The people who cross our paths? Or maybe something else entirely unexpected?
With the 40th (and my first-ever) Chicago Latino Film Festival now in the books, it’s time to take a look at what I screened. The event featured films from 28 countries in the Caribbean, Central and South America, and Europe, along with a number of other nations that provided financial and production support. Regrettably, however, based on what I saw, I was largely disappointed with this event, which has given me pause to think about whether I will attend again next year.
“The Weasels’ Tale” (“El cuento de las comadrejas”) (2019 production, 2020 release). Cast: Graciela Borges, Oscar Martínez, Luis Brandoni, Marcos Mundstock, Clara Lago, Nicolás Francella, Luz Cipriota, Anwar Yoma, Manuel Martínez Sobrado, Ayelén Dotti, Nicolás Fiore, Adriana Marcela Garibaldi, Dana Gabriela Basso. Director: Juan José Campanella. Screenplay: Juan José Campanella, Augusto Giustozzi, Darren Kloomok and José A. Martínez Suárez. Source Material: Augusto Giustozzi and José A. Martínez Suárez, screenplay, “Los muchachos de antes no usaban arsénico” (“The Boys Before Didn’t Use Arsenic”). Web site. Trailer. Operating from a standpoint of integrity can be difficult enough under the best of conditions, but, when extenuating circumstances adversely impinge upon it, that can make matters much more challenging. Indeed, it can be hard [...]
Reeling 38, Chicago’s International LGBTQ+ Film Festival, recently completed its 2020 edition in its first-ever all-virtual format. With movie houses just now beginning to reopen due to the COVID-19 pandemic, this alternative approach made it possible for the festival to go forward, and it worked remarkably well, enabling viewers to screen a variety of films while remaining safe at home. In fact, in some ways, this is a viable approach well worth considering for future events, one that makes it possible to offer the festival’s films to a wider audience and providing flexible viewing conditions, benefits not necessarily available when presented in theatrical venues. Because of this new format, I was able to screen a greater number of films than [...]