Wrapping Up the 2024 Black Harvest Film Festival

The 30th annual edition of the Gene Siskel Film Center’s Black Harvest Film Festival is now in the books, having featured an array of narrative, documentary and short films. The event featured a strong lineup of offerings this year, perhaps the best I’ve ever seen at this festival. In all, I managed to catch six films during the festival’s two-week run. So, with that said, here’s my take on what I watched and what I thought.

‘Tuesday’ examines making friends with death

Death. It’s a subject that many of us don’t want to deal with, let alone feel comfortable talking about. It can be especially difficult when it involves someone we care deeply about, particularly in a scenario like a parent having to prepare for the loss of a child. Yet death is the one fate we all ultimately share, so it’s not something we can conveniently try to avoid. Given that, then, this is an eventuality that we must all find a way to accept.

‘Our Father, the Devil’ asks, ‘When is it too late to do the right thing?’

It’s truly astounding how mankind is capable of both tremendous greatness and despicable savagery. How can one species lay claim to both? What’s more, how can both traits be found within a single individual? Yet, in a surprisingly large number of instances, that ends up being the case.

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