An old saying maintains that we can pick our friends but not our family. But is that really so? It might seem that way at times, especially in situations where we struggle mightily to get along with them and put up with their annoyances and quirks. However, one could also contend that the individuals we incarnate with are present in our lives to help us learn valuable lessons in areas like cooperation and forgiveness.
Where do we turn when the bottom falls out? That’s difficult enough at any age, but what is one to do when going through an impressionable time of life, such as adolescence? The coming of age considerations that teens face are often burdensome enough in themselves. However, when they’re compounded by a significant loss, starting over may seem impossible.
We all have dreams, and we’d like to see them realized. However, many of us believe they’re unreachable objectives, pie-in-the-sky goals that can be envisioned but never experienced. But must that be the case? Is there no chance of them ever being materialized?
Solitude can have its virtues, especially when we’re trying to complete a personally significant project or engage in meaningful introspection. But, if we’re not careful, it can become a little too comfortable if we allow it to persist for too long, making it difficult to get out of that trap. Knowing when to let go and rejoin the world of the living is crucial to avoid losing ourselves, a point driven home loud and clear in the new romantic comedy-drama, “The Outside Story.”
“To the Stars” (2019 production, 2020 release). Cast: Kara Hayward, Liana Liberato, Adelaide Clemens, Malin Akerman, Tony Hale, Jordana Spiro, Shea Whigham, Lucas Jade Zumann, Madisen Beaty, Lauren Ashley Stephenson, Sophi Bairley, Tina Parker, Matt Coulson, Natalie Canerday, Doug Jackson. Director: Martha Stephens. Screenplay: Shannon Bradley-Colleary. Web site. Trailer. Adolescence is seldom an easy time for many of us. It’s an age of exploration and experimentation, a period when we examine the world and ourselves to see how we mesh together. The fit isn’t always exact, though, particularly when our authentic selves differ significantly from what we see around us. It often prompts us to retreat into our shells, sometimes covering our eyes in the process as we struggle to [...]
“The Father” (“Bashtata”) (2019). Cast: Ivan Barnev, Ivan Savov, Margita Gosheva (voice), Tanya Shahova, Hristofor Nedkov, Boyan Doychinov, Nikolay Todorov. Directors: Kristina Grozeva and Petar Valchanov. Screenplay: Kristina Grozeva, Decho Taralezhkov and Petar Valchanov. Web site. Trailer. It can be easy to get stuck. And it can be even easier to allow ourselves to stay stuck. Indeed, in such situations, we can readily convince ourselves that we’re trapped by conditions that can’t be changed, irretrievably ensnared by what cannot be altered. But is that really true? It may be possible to shift our circumstances, but it can take some effort to do so, as a mourning father and son find out in the new Bulgarian dark comedy-drama, “The Father” (“Bashtata”). [...]
One of the great joys of reviewing movies is the opportunity to attend film festivals. They offer moviegoers a chance to see multiple offerings in myriad genres from countries all over the globe, featuring everything from little-known independent productions to Hollywood blockbusters. And so it is with my hometown event, the Chicago International Film Festival, which just recently completed its 55th edition. The Chicago festival just keeps getting better and better every year. I’ve attended many of the festivals over the past 40 years (I started attending when I was 2…), and I’ve seen vast improvements in programming and staging in that time, efforts that have truly made this a world class event. Over 12 days, I screened 15 films, [...]
