Wrapping Up Reeling 2025
The 43rd annual edition of Chicago’s Reeling International LGBTQ+ Film Festival is now in the books. I managed to catch 10 films during the festival’s 10-day run. Here’s my take on what I watched and what I thought.
The 43rd annual edition of Chicago’s Reeling International LGBTQ+ Film Festival is now in the books. I managed to catch 10 films during the festival’s 10-day run. Here’s my take on what I watched and what I thought.
Recapturing the past may be an enticing, seductive prospect, especially when it involves revisiting pleasant memories of days gone by. If nothing else, it can help to plug holes of loneliness and despair in our psyche, filling us with feelings of warmth and happiness. But is it realistically achievable or just wishful thinking? At most, it may only provide fleeting relief, not nearly enough to satisfy us for the long term or to resolve the source of the underlying anguish.
“Touch” (“Snerting”) (2024). Cast:. Egill Ólafsson, Kōki, Pálmi Kormákur, Masahiro Motoki, Yoko Narahashi, Ruth Sheen, Masatoshi Nakamura, Meg Kubota, Tatsuya Tagawa, Charles Nishikawa, Sigurour Ingvarsson, Starkaour Pétursson, Akshay Khanna, Kieran Buckeridge, Benedikt Ellingsen, Maria Ellingsen, Eiji Mihara, Eugene Nomura, Harpa Elísa Ϸórsdóttir (voice). Director: Baltasar Kormákur. Screenplay: Baltasar Kormákur and Ólafur Jóhann Ólafsson. Book: Ólafur Jóhann Ólafsson, Touch (2022). Web site. Trailer. No matter how well life may treat us, almost everyone undergoes a memorable, fulfilling experience that, unfortunately, doesn’t last as long as we thought (or hoped) it would. These scenarios – usually romantic in nature – leave such profound, enduring impressions on us that we can’t shake them when they end, often abruptly and somewhat unceremoniously. We tend [...]
In an age where the lines of what makes for a successful relationship have become increasingly blurred (and simultaneously more liberating), we’re seeing all manner of partnership combinations emerge that are just as valid as conventional models, no matter how different they may appear. And thank goodness for that, as anyone in an alternative partnership can joyously attest. However, despite this newfound freedom, these relationships can experience their share of challenges just like any other pairings.
Love is truly an enigmatic force. When it’s present in our lives, it can move us to indescribable degrees of joy, bliss and fulfillment. But, when it’s absent – particularly when it’s suddenly snatched away from us – it can leave us in the depths of despair, a sense of despondency from which we may often feel we’ll never escape. However, just when all seems lost, it can have a way of sneaking back into our lives.
In the wake of the recent 50th anniversary of the 1973 Chilean coup d’etat that resulted in the overthrow of democratically elected President Salvador Allende, an effort led by the country’s military and backed by the US government, a number of film projects (both documentary and narrative features) have been released looking back on this event. These projects have taken a variety of forms, and one of the most unusual (and creative) among them has been a production that takes a metaphorical and wickedly satirical look at the life of Allende’s successor, dictator Augusto Pinochet (1915-2006), portraying him in a surreal but fitting milieu, as seen in the hilarious but insightful allegorical biography, “El Conde” (“The Count”).
It’s been said that it’s never too late to pursue one’s dream. But how many of us who are getting on in years actually make the effort to accomplish that? As time passes by, we may begin to feel like life is passing us by, too, sweeping away the opportunities to fulfill those aspirations and leading to relentless disappointment, frustration and depression. However, must it be that way?
What happens after we die? Indeed, as we transition from this world to whatever comes next, what can we truly expect? That’s arguably the most profound – and most mysterious – question that we ask ourselves during our lifetimes. And the only definitive way to know for sure is to actually go through the experience. Nevertheless, that’s not to stop us from speculating about what could occur.
Most of us would probably agree with the time-honored adage that “Honesty is the best policy.” But is that really true? Certainly we appreciate its value when it comes to sharing the truth about the circumstances that touch our lives and in expressing the feelings we hold for one another, particularly loved ones. However, is honesty truly worth everything it’s said to be when unadulterated candor cuts like a knife?
The Whitaker St. Louis International Film Festival recently completed its 2020 edition in its first-ever all-virtual format. With the future of theatrical screenings in limbo due to the COVID-19 pandemic, this alternative approach made it possible for the Festival to go forward, and it worked remarkably well, enabling viewers to screen a variety of films while remaining safe at home. As has been the case with other such events this year, this is a viable approach well worth considering for future programs, even without the threat of a pandemic. It makes it possible to offer the Festival’s films to a wider audience and provides flexible viewing conditions, benefits not necessarily available when presented exclusively in theatrical venues. Because of this [...]