When life doesn’t quite turn out as planned, it’s easy to become frustrated, cynical and embittered, falling into a trap of unrelenting wallowing and victimhood from which it’s difficult to escape. It’s disappointing, to be sure, when circumstances don’t pan out as hoped for. But what will staying in such a rut accomplish?
Some things bear repeating, especially when they’re important and have been disregarded or not taken seriously. It doesn’t matter how many times or how emphatically the message has been said, either. If the word is not getting through as effectively as it should be – or at all – then it needs reiteration, particularly when the stakes are high.
Are we who we think we are? Most of us would probably say “Of course,” but is that statement truly accurate? Indeed, are we the limited, localized selves we’re most familiar with, or is there more to us than meets the eye (or, more precisely, the mind)? There could well be unknown portions of ourselves that are beyond our current comprehension. But what would it be like to find and explore those hidden aspects that could potentially open new worlds of opportunity for us?
“Blackbird” (2019 production, 2020 release). Cast: Susan Sarandon, Sam Neill, Kate Winslet, Mia Wasikowska, Rainn Wilson, Lindsay Duncan, Bex Taylor-Klaus, Anson Boon. Director: Roger Michell. Screenplay: Christian Torpe. Web site. Trailer. We’re all aware that our lifetimes are finite in nature and that they will one day come to an end. But, as our lives unfold, many of us become progressively more concerned with how that end will ultimately come about. Will it be on terms of our own choosing? Or will we relegated to circumstances that are out of our control? And how much input will we have in determining the details of the process? Those are among the questions raised in the moving new end of life drama, [...]
