Wrapping Up the 2024 Chicago Film Festival
With this year’s 60th edition of the Chicago International Film Festival in the books, I’ve completed my screenings for 2024. And here's what I thought.
With this year’s 60th edition of the Chicago International Film Festival in the books, I’ve completed my screenings for 2024. And here's what I thought.
Sometimes we can all use a little help in changing our behavior when we’re unable to do so on our own. There are many different approaches we can use for this, too, depending on our personal preferences. One of the most commonly employed practices is hypnosis, which has been successfully used for such things as losing weight and quitting smoking. But, in some cases, it can work so well that we may unintentionally end up overcompensating, prompting a whole new crop of issues to contend with.
Imagine if there were no “Casablanca” (1942). No “Jaws” (1975). No “2001: A Space Odyssey” (1968), no “Avatar” (2009), no “Wizard of Oz” (1939). The prospect is unthinkable, even to the most casual moviegoer (imagine what that would mean for an avid cinephile). That’s what we’d face if no concerted effort were made to preserve these films for posterity.
“The Truth” (“le Verità”) (2019 production, 2020 release). Cast: Catherine Deneuve, Juliette Binoche, Ethan Hawke, Clémentine Grenier, Manon Clavel, Roger Van Hool, Alain Libolt, Christian Crahay, Ludavigne Sagnier, Sébastien Chassange, Laurent Capelluto, Jackie Berroyer. Director Hirokazu Kore-eda. Screenplay: Hirokazu Kore-eda. Web site. Trailer. Drama may have a place in life, but some of us have trouble determining the stage on which it’s most appropriate. Theaters and movie screens are certainly acceptable venues, but, when drama makes its presence felt on the stage of life, it may well have overstepped its bounds. That’s particularly true when it intrudes upon personal relationships, a place where its appearance may be unwanted, if not unhealthy. Such is the case in the long-tense dealings between [...]