The 30th annual edition of the Gene Siskel Film Center’s Black Harvest Film Festival is now in the books, having featured an array of narrative, documentary and short films. The event featured a strong lineup of offerings this year, perhaps the best I’ve ever seen at this festival. In all, I managed to catch six films during the festival’s two-week run. So, with that said, here’s my take on what I watched and what I thought.
Friendship is one of those subjects that doesn’t receive nearly enough meaningful attention in the movies. Yet, when we look at its prevalence in life and the many forms it can take, it certainly provides plenty of fodder for engaging storytelling, given that it’s a topic we can all ultimately relate to – and in myriad ways at that. Films that explore unusual and fascinating expressions of this concept are among the most engaging, as seen in a new documentary that examines what it’s like for old friends to get to know one another all over again in a new context.
Childhood is the time of life when we form our views about how the world works and what it potentially has in store for us. It presents us with a variety of options for how we come to regard it, either positively or negatively or somewhere in between, a perspective often determined by the circumstances to which we’re exposed. But what matters most in all this is what we end up doing with our beliefs about these conditions and experiences, as they ultimately shape what unfolds going forward.
How we remember our past is something we can all bank on, right? Or is it? For instance, what happens when mitigating influences impact our memory, potentially causing it to become fallible and untrustworthy? Can we truly rely on our recall then?
Family has long been seen as an institution dictated almost exclusively by bloodline considerations. However, over time, this view has gradually shifted to one where family has become what we make of it. It’s a principle that has assumed many forms, too, based on an array of defining characteristics, some of which have deviated significantly from traditional models. But what’s most important behind this development has been the beneficial impact it has had on many individuals who simply didn’t feel as though they belonged with their blood relatives
Attempting to be something that one is not is a perilous course in so many ways. It means fundamentally going against oneself, denying one’s true nature. The lack of authenticity and integrity in such scenarios is not only disillusioning, but it’s also potential damaging, again, in countless ways.
Think you know what constitutes existence? Are you sure? A close look may reveal a picture far different from what we think we know, one that crosses dimensional lines and offers us infinite possibilities for exploration and experience – far more than we may have typically imagined and involving avenues for expression that are limited only by our imaginations.
“Blackbird” (2019 production, 2020 release). Cast: Susan Sarandon, Sam Neill, Kate Winslet, Mia Wasikowska, Rainn Wilson, Lindsay Duncan, Bex Taylor-Klaus, Anson Boon. Director: Roger Michell. Screenplay: Christian Torpe. Web site. Trailer. We’re all aware that our lifetimes are finite in nature and that they will one day come to an end. But, as our lives unfold, many of us become progressively more concerned with how that end will ultimately come about. Will it be on terms of our own choosing? Or will we relegated to circumstances that are out of our control? And how much input will we have in determining the details of the process? Those are among the questions raised in the moving new end of life drama, [...]
“My Dog Stupid” (“Mon chien Stupide”) (2019). Cast: Yvan Attal, Charlotte Gainsbourg, Eric Ruf, Pascale Arbillot, Ben Attal, Adèle Wismes, Pablo Venzal, Panayotis Pascot, Oscar Copp, Lola Marois, Sébastien Thiery, Franz Lang. Director: Yvan Attal. Screenplay: Stéphane Guillon and Dean Craig. Story: Dean Craig, Yvan Attal and Yaël Langmann. Book: John Fante, West of Rome. Web site. Trailer. Most of us feel dissatisfied with our lives from time to time. Sometimes we have only a vague sense of what’s irking us, but often we have a clear picture of the irritation. Still, even with such an awareness, we frequently lack an understanding of how to fix the problem. Perhaps looking to the source of that discontent can help us figure [...]
“Portrait of a Lady on Fire” (“Portrait de la jeune fille en feu”) (2019). Cast: Noémie Merlant, Adèle Haenel, Luàna Bajrami, Valeria Golino. Director: Céline Sciamma. Screenplay: Céline Sciamma. Web site. Trailer. Asserting our right to openly proclaim who we love seems like a birthright we should all possess without hindrance. But, under some circumstances, doing so may be difficult, especially when we’re pressured to conform to the dictates of others. That’s unfortunately true even today, but it was far worse in the past, when social sanctions and familial obligations were much more restricting and pervasive, as illustrated in the French period piece drama, “Portrait of a Lady on Fire” (“Portrait de la jeune fille en feu”). In 1760 France, [...]
