The 30th annual edition of the Gene Siskel Film Center’s Black Harvest Film Festival is now in the books, having featured an array of narrative, documentary and short films. The event featured a strong lineup of offerings this year, perhaps the best I’ve ever seen at this festival. In all, I managed to catch six films during the festival’s two-week run. So, with that said, here’s my take on what I watched and what I thought.
Change often carries a cost. At the same time, though, it’s also accompanied by unexpected rewards. In either case, however, we frequently don’t recognize what’s coming, what it might entail and how it could affect us. What’s more, a lack of awareness of what’s unfolding can place us in a seriously compromised position.
When everything gets taken away from one’s life, it must be nearly impossible to find something that provides a meaningful reason to carry on. The pervasive sense of hopelessness that sets in makes it difficult to establish a purpose in one’s existence. And so it often is for the incarcerated, individuals faced with an uncertain future of indeterminate duration. Under conditions as difficult as these, realistically speaking, one can’t help but wonder whether even the prospect of rehabilitation will actually pan out as a viable option.
In an age where personal accountability has become increasingly hard to come by, it’s comforting to know that it’s never too late to grow up. Granted, willingly assuming responsibility for our actions and attitudes may not always be easy, pleasant or fun, but it’s something we all must ultimately do, no matter how much we may not want to.
Cautionary tales often have some of the most significant impact when brought to life on the big screen. These pictures generally deliver powerful, troubling, concern-filled messages with a sense of graphic, in-your-face urgency, all aimed at warning us of catastrophes potentially waiting to happen. And, when they reveal the nature of those calamities, they shock us into submission in the hope that we take steps to avoid them before they materialize.
The now-famous opening line of the Charles Dickens classic A Tale of Two Cities – “It was the best of times, it was the worst of times” – has become virtually synonymous for describing situations that are simultaneously both joyous yet difficult. In many ways, this is a scenario that seems almost unfathomable, one whose very existence is hard to imagine, let alone endure. Yet many among us have nevertheless experienced such challenging, ironic and contradictory conditions, circumstances that ultimately push us to find the means to survive and to overcome the ordeals posed to us so that we can truly enjoy the best of what life has to offer while putting the worst behind us.
Remember when times were simpler, when you didn’t need to worry about expressing yourself without first having to weigh the long-term ramifications for yourself and the seven generations of progeny that followed? What’s more, recall what it was like to be able to have an opinion without running the risk of oppressive social ostracism from the overly zealous political correctness police force imposing its herd mentality on everyone everywhere? Somewhere along the way we lost our bearings – and ourselves.
Every so often, innovators come along in various fields of endeavor who shake things up and create something unique and inventive, revolutionary conceptions that set their particular milieus of expression on their ear. These creations set new standards for others to emulate or adapt, sometimes even birthing entirely distinct genres different from others that preceded them.
Various fields of artistic expression often go through radical conversions as a result of the visionary works of a handful – or sometimes even just one – maverick figure. Through the singular works of these individuals, entire genres are frequently transformed. In filmmaking, for example, the name Stanley Kubrick comes to mind. In music, it’s the Beatles. And, in science fiction literature, many often cite the writings of author Ursula K. Le Guin,
It’s not always easy when it comes to doing the right thing. Then again, there are plenty of instances when it should be patently obvious what we’re supposed to do. But, if that’s really the case, then why do so many of us make questionable choices when confronted with such circumstances?
