Wrapping Up the 2024 Chicago Film Festival
With this year’s 60th edition of the Chicago International Film Festival in the books, I’ve completed my screenings for 2024. And here's what I thought.
With this year’s 60th edition of the Chicago International Film Festival in the books, I’ve completed my screenings for 2024. And here's what I thought.
The 42nd edition of the Chicago Reeling International LGBTQ+ Film Festival is now in the books, having featured an array of narrative, documentary and short films in theaters and online. I managed to catch 12 films during the festival’s two-week run. So, with that said, here’s my take on what I watched and what I thought.
With 2023 now in the books, it’s time to look back on the year in movies. In this first of three blogs, I spotlight my Top 10 Films of 2023, followed by 10 Honorable Mentions and an open-ended list (in alphabetical order) of other releases that I found noteworthy.
Imagine being forced to live your life completely on others’ terms, never doing what you want, no matter how strong your desire. Sounds pretty dismal, right? Yet, for those in certain communities, that kind of coercion can be an everyday circumstance. The isolation can be positively crushing, removed from what suits you and being forced to pursue your dreams in secret, if at all, for fear of the repercussions. And, in the meantime, you’re likely to find yourself behaving in uncomfortable, unnatural ways, tantamount to living a lie.
If it’s March, it wouldn’t be complete without the Gene Siskel Film Center Chicago European Union Film Festival. After several years of adjustment, abbreviation and cancellation due to COVID-19 concerns, the festival finally returned to normal form this year for its 26th annual edition. I managed to screen 10 of the event’s 24 offerings
If I had to sum up this year’s Chicago International Film Festival with one word, it would definitely be “underwhelming.” This year’s programming left much to be desired, especially in its virtual programming, which was scaled back considerably from previous years. This, in my opinion, is decidedly a step backwards.
The 40th annual edition of Chicago’s Reeling International LGBTQ+ Film Festival is now in the books, having featured an array of narrative, documentary and short films on theaters and online. While the event had its strong points, the overall programming was a little less satisfying compared to past years. Nevertheless, I managed to screen 16 films during the festival’s two-week run. So, with that said, here’s my take on what I watched and what I thought.
The festival’s 57th edition had its share of fine offerings, but there were also a number of pictures that could have been better. Below are my summary reviews of the releases I watched. Full reviews of select films are to come, where noted.
The Chicago International Film Festival recently completed its 2020 edition in its first-ever all-virtual format. With moviehouses just now beginning to reopen due to the COVID-19 pandemic, this alternative approach made it possible for the Festival to go forward, and it worked remarkably well, enabling viewers to screen a variety of films while remaining safe at home or in the comfort of their vehicles at its drive-in performances. As has been the case with other such events this year, this is a viable approach well worth considering for future programs, even without the threat of a pandemic. It makes it possible to offer the Festival’s films to a wider audience and provides flexible viewing conditions, benefits not necessarily available when presented [...]
Reeling 38, Chicago’s International LGBTQ+ Film Festival, recently completed its 2020 edition in its first-ever all-virtual format. With movie houses just now beginning to reopen due to the COVID-19 pandemic, this alternative approach made it possible for the festival to go forward, and it worked remarkably well, enabling viewers to screen a variety of films while remaining safe at home. In fact, in some ways, this is a viable approach well worth considering for future events, one that makes it possible to offer the festival’s films to a wider audience and providing flexible viewing conditions, benefits not necessarily available when presented in theatrical venues. Because of this new format, I was able to screen a greater number of films than [...]