For those who may have missed the most recent movie review edition of The Good Media Network's Frankiesense & More video podcast, the recorded version is now available for viewing on Facebook (Facebook.com/thegoodradionetwork) and YouTube (youtube.com/c/TheGoodMediaNetwork). Join show host Frankie Picasso and yours truly as we review five new movies and look back at what we predicted at the Oscars.
In the wake of the recent 50th anniversary of the 1973 Chilean coup d’etat that resulted in the overthrow of democratically elected President Salvador Allende, an effort led by the country’s military and backed by the US government, a number of film projects (both documentary and narrative features) have been released looking back on this event. These projects have taken a variety of forms, and one of the most unusual (and creative) among them has been a production that takes a metaphorical and wickedly satirical look at the life of Allende’s successor, dictator Augusto Pinochet (1915-2006), portraying him in a surreal but fitting milieu, as seen in the hilarious but insightful allegorical biography, “El Conde” (“The Count”).
Getting away from it all is often an effective way to regroup, recharge and put one’s life back on track, especially when it comes to sorting out complicated issues and stalled creative endeavors. At the same time, though, things can sometimes go sideways in these experiences; unforeseen developments may intrude on hoped-for expectations, thrusting circumstances into unexpected territory and uncontrolled chaos. Nevertheless, such disruptions can also yield surprising outcomes, opening new doors
Willingly taking ourselves out of our comfort zones is something that may make many of us squirm in discomfort. As creatures of habit, we like our lives filled with familiarity and predictability. So, when we find ourselves faced with having to make adjustments in light of our conditions, we might rail against those circumstances, especially if we feel the pressure of time constraints squeezing us into unexpected (and not necessarily welcome) alterations.
All too often, we’re faced with difficult situations that pose us with perplexing choices. Evaluating the options can be dizzying, leaving us feeling as though we can’t decide. Because of this, we may often default to what appears to be the most expedient choice, a move that frequently gives us an easy out – “I didn’t have any choice in the matter” – in case things don’t unfold as planned. In the alternative, we may remain indecisive, leaving us with no viable solution to the issue at hand. But those fallbacks are innately insufficient,
When beset by an unspeakable tragedy, it can be nearly impossible to regroup. Those who care about us will undoubtedly try to lift our spirits and help us get our bearings back, but that may not be enough, especially if our heart and spirit are not in it.
“Balloon” (“Qi Qui”) (2019). Cast: Jinpa, Sonan Wangmo, Yangshik Tso, Druklha Darja, Palden Nyima, Konchok, Kunda. Director: Pema Tseden. Screenplay: Pema Tseden. Web site. Trailer. We all value having choices in our lives, especially when they offer us a variety of pleasant outcomes. But what happens when we’re presented with options that seemingly hold no appeal, regardless of what we choose? We may feel like we have our backs up against the wall, unable to decide what to do. However, through it all, we must never lose sight of the fact that our power of choice is always with us, a paradox examined in the new Chinese cinematic fable, “Balloon” (“Qi Qui”). In 1979, the People’s Republic of China adopted [...]
