There are so many things that can go wrong in life that it hardly seems wise, practical or prudent to go looking for ways to make our existence needlessly grueling. Yet, if we’re truly honest with ourselves, there are plenty of situations that can all too easily yield undue stress, pain and difficulty – and all as a result of our own making, too. But why would we do that?
What makes us successful as creative beings? That’s a question that scholars, philosophers and artists have been asking rhetorically for eons. Much, of course, depends on the nature of the creation. A lot also depends on the traits and temperaments of the creators. But the actual mix of attributes necessary for achieving such fulfillment may ultimately be difficult to define – or, as the French might say, a certain je ne sais quoi.
When everything gets taken away from one’s life, it must be nearly impossible to find something that provides a meaningful reason to carry on. The pervasive sense of hopelessness that sets in makes it difficult to establish a purpose in one’s existence. And so it often is for the incarcerated, individuals faced with an uncertain future of indeterminate duration. Under conditions as difficult as these, realistically speaking, one can’t help but wonder whether even the prospect of rehabilitation will actually pan out as a viable option.
Innovators are indeed a rare breed. They have ways of seeing things that many of us lack or haven’t yet developed. When they ply their abilities, they come up with inspiring, original conceptions that often attract huge followings and many imitators. And yet, despite these gifts and accomplishments, they sometimes don’t receive the credit or recognition they truly deserve.
“Touch” (“Snerting”) (2024). Cast:. Egill Ólafsson, Kōki, Pálmi Kormákur, Masahiro Motoki, Yoko Narahashi, Ruth Sheen, Masatoshi Nakamura, Meg Kubota, Tatsuya Tagawa, Charles Nishikawa, Sigurour Ingvarsson, Starkaour Pétursson, Akshay Khanna, Kieran Buckeridge, Benedikt Ellingsen, Maria Ellingsen, Eiji Mihara, Eugene Nomura, Harpa Elísa Ϸórsdóttir (voice). Director: Baltasar Kormákur. Screenplay: Baltasar Kormákur and Ólafur Jóhann Ólafsson. Book: Ólafur Jóhann Ólafsson, Touch (2022). Web site. Trailer. No matter how well life may treat us, almost everyone undergoes a memorable, fulfilling experience that, unfortunately, doesn’t last as long as we thought (or hoped) it would. These scenarios – usually romantic in nature – leave such profound, enduring impressions on us that we can’t shake them when they end, often abruptly and somewhat unceremoniously. We tend [...]
Retirement is supposed to be one of those times of life that we eagerly look forward to. Having the free time to do what we want, when we want, is thought to be liberating and thoroughly enjoyable. But, for some, the transition from full-time working life to full-time leisurely living can be challenging, especially in the relationships of long-partnered couples.
According to playwright David Mamet, “Age and treachery will always beat youth and exuberance.” The kind of wisdom that comes from experience can be tapped and put to use in many ways, particularly when others try to pull the wool over the eyes of those who’ve been around for a while and have had ample opportunity to stockpile such seasoned and shrewd sagacity.
Death. It’s a subject that many of us don’t want to deal with, let alone feel comfortable talking about. It can be especially difficult when it involves someone we care deeply about, particularly in a scenario like a parent having to prepare for the loss of a child. Yet death is the one fate we all ultimately share, so it’s not something we can conveniently try to avoid. Given that, then, this is an eventuality that we must all find a way to accept.
Sometimes we can all use a little help in changing our behavior when we’re unable to do so on our own. There are many different approaches we can use for this, too, depending on our personal preferences. One of the most commonly employed practices is hypnosis, which has been successfully used for such things as losing weight and quitting smoking. But, in some cases, it can work so well that we may unintentionally end up overcompensating, prompting a whole new crop of issues to contend with.
Discrimination is truly an ugly concept, no matter what basis is used to try and justify it. Those who become the targets of such inexcusable prejudice are left to endure the irrational ridicule inflicted upon them, treatment that often drives them into hiding, afraid to step forward and be themselves. Considerable courage is generally required to overcome those conditions, but even vast reserves of that attribute may not be enough when it means taking on institutionalized versions of such loathsome negative behavior. Nonetheless, those who are able to muster up the bravery to tackle such undertakings should be commended.
