Wrapping Up the 2024 Chicago Film Festival
With this year’s 60th edition of the Chicago International Film Festival in the books, I’ve completed my screenings for 2024. And here's what I thought.
‘Radioactive’ reveals a chillingly toxic truth
An old expression maintains “Don’t believe everything you read in the newspapers.” It’s an adage that seems to have taken on increasing relevancy these days, too. But there was a time not all that long ago when many in the public were willing to accept without question whatever information was reported in the media. Fortunately, there were those who were astute enough to recognize when things didn’t add up and were willing to raise their voices in protest.
‘After Death’ sheds light on what comes next
Talking about the subject of Near Death Experiences (NDEs) was once about as taboo as speaking about UFOs or seeing a psychiatrist – sure signs that someone was probably psychologically unstable, even if he or she merely believed in these things, let alone having had experiences with them. Thankfully, however, those days are largely behind us now, and speaking about them openly and honestly has become much more rational and commonplace. But what exactly are they all about?
‘Rock Hudson’ explores life in two worlds
Living one’s life in two disparate worlds can be quite a challenge, perhaps even perpetually confusing to some making the attempt. Having one foot firmly planted in one existence and the other ensconced in another means always having to be “on” and aware of which reality one is in at any given time. That can be particularly demanding if the differences between them are significant, especially if one of them involves harboring and maintaining a potentially volatile secret. But, with practice and a dedicated commitment to keeping up appearances, it’s entirely possible to pull off such a feat.
‘Chernobyl: The Lost Tapes’ exposes the perils of deception
The truth can be hard to face. We may want to deny it, dismiss it or cover it up, but it inevitably comes back to us in all its unblemished fidelity, forcing us to deal with it, no matter how dire the consequences associated with it may be. Attempts at imposing deception may work for a while, but cracks in the foundation of such lies ultimately emerge,
‘Skál’ celebrates the virtues of personal freedom
Where would we be without personal freedom? The prospect is rather daunting, especially once we consider what we’d lose. Its absence can prove particularly detrimental during certain times in our lives, such as adolescence and young adulthood, when we’re just beginning to grasp the possibilities that the world can offer us.
‘The Lost Leonardo’ surveys the palette of beliefs
Art is one of the unique aspects of our existence that distinguish us as singularly human. It inspires us in myriad ways and helps give our lives meaning. In fact, it occupies such an esteemed place of importance in our reality that we often go to great lengths to ensure that its significance and value are sufficiently respected and venerated.
‘My Octopus Teacher’ shows us how to become ourselves
Discovering ourselves is often a challenging process, especially when we feel lost and have no idea where or how to look for answers. However, if we remain open to options – including those that appear to be coming to us from unlikely sources – we may just find the guidance we seek.
Cult classic ‘Mr. Nobody’ challenges our notions of existence
Is the life we lead the one (and only one) we’re meant to live? Or are there other possible paths that we could choose, alternatives that are different but potentially just as viable, even though not actively pursued? However, if those alternate existences do indeed exist, how would we know about them?
‘Fatima’ extols the virtues of faith
“Fatima” (2020). Cast: Harvey Keitel, Sônia Braga, Joaquim de Almeida, Goran Visnjic, Stephanie Gil, Alejandra Howard, Jorge Lamelas, Lúcia Moniz, Marco D’Almeida, Joana Ribeiro, João Arrais, João D’Avila, Figueira Cid, Elmano Sancho, Carla Chambel, Iris Cayatte, Ivone Fernandes-Jesus. Director: Marco Pontecarvo. Screenplay: Valerio D’Annunzio, Barbara Nicolosi and Marco Pontecarvo. Web site. Trailer. Faith is something that’s exceedingly difficult to characterize. It doesn’t have any palpable, easily identifiable qualities. It won’t conveniently fit into a neat little package. And it’s not something that can be readily recognized at a passing glance. But, for those who understand and appreciate it, its existence is undeniable, no matter how intangible it might be and how difficult it may be to convince disbelievers of its [...]