Regrettably, convincing idealism is an increasingly rare commodity in political circles these days. With so many politicians looking out for themselves and their cronies, it’s become difficult to find those we can genuinely trust. Indeed, how are we supposed to put our faith in what they say? Every so often, though, there are those who come along who appear to defy such low expectations.
Many of us face times when we’re presented with seemingly impossible decisions. The choices open to us may appear fundamentally unpleasant across the board, or they may give us options that have both upsides and downsides that might tend to cancel one another out. These conditions can make it difficult for us to know what to do, potentially leaving us locked in a state of stalemate. However, that need not be the case if we can hold on to our awareness of our innate power of choice.
“God of the Piano” (2019 production, 2020 release). Cast: Naama Preis, Andi Lev, Ron Bitterman, Ze’ev Shimshoni, Alon Openhaim, Shimon Mimran, Leora Rivlin, Itay Zipor. Director: Itay Tal. Screenplay: Itay Tal. Web site. Trailer. Preserving a family legacy is certainly a noble goal. It provides a sense of continuity that links the generations and gives a family its character, reputation and even notoriety. But how far is one willing to go to keep up the tradition? At what point does a goal turn into an obsession? And what are the costs of going too far? Those are among the issues raised and addressed in the captivating new Israeli psychological thriller, “God of the Piano.” Anat Tal (Naama Preis) comes from [...]
