‘Late Fame’ seeks to rediscover one’s calling in life

Well-meaning optimists often nudge us to believe that it’s never too late to discover (or rediscover) our respective callings in life (and sometimes they’re right). At a time when many of us may have given up on our dreams or settled for a less complicated way of life, there are those who may nevertheless eagerly follow such inspirational advice and find the experience refreshingly rejuvenating. But, even with the best of hopes and intentions, what’s the guarantee, if any, of success at such undertakings? Those are among the themes explored in the new dramatic character study, “Late Fame.”

‘The End of Oak Street’ celebrates second chances

Movies about second chances are fairly common fare in the world of cinema. They provide opportunities to explore the value of themes like redemption and forgiveness. And these notions are usually examined within the context of interpersonal dramas or gentle comedies. So it’s truly unusual to find them as thematic underpinnings in as unlikely a context as science fiction. Nevertheless, such is the case in the new Spielbergian summertime blockbuster, “The End of Oak Street.”

The Life Lessons of Two Alternative Love Stories

The hope most of us hold for romantic comedy-dramas is that everything will ultimately work out in the end. But, in real life, relationships don’t always turn out that way. So when filmmakers try to fuse those two divergent scenarios, the results can be unexpected, even dismaying, if not handled properly. However, when addressed with a skillful touch, such stories can be surprisingly entertaining, even revelatory, in many ways. So it is with two alternative love stories now available for streaming online, “Magic Hour” and “Departures.”

Obliviousness scrutinized in ‘The Invite’

Nineteenth Century Irish novelist, playwright and raconteur Oscar Wilde, widely known for his witticisms and observations about life, is generally credited for the following arguably astute advice: “One should always be in love. That is the reason why one should never marry.” And it’s most fitting that those very words should eloquently serve as a cinematic epigraph at the start of a new comedy-drama about a casual, neighborly social occasion that goes awry while simultaneously providing its unsuspecting participants with new, eye-opening, revelatory insights about life, love, marriage, sexuality and a host of other topics, “The Invite.”

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