Obliviousness scrutinized in ‘The Invite’

Nineteenth Century Irish novelist, playwright and raconteur Oscar Wilde, widely known for his witticisms and observations about life, is generally credited for the following arguably astute advice: “One should always be in love. That is the reason why one should never marry.” And it’s most fitting that those very words should eloquently serve as a cinematic epigraph at the start of a new comedy-drama about a casual, neighborly social occasion that goes awry while simultaneously providing its unsuspecting participants with new, eye-opening, revelatory insights about life, love, marriage, sexuality and a host of other topics, “The Invite.”

‘Disclosure Day’ delivers revelations on multiple levels

“Disclosure” can be an awfully loaded word, one that carries connotations on multiple levels, both big and small, but nearly always with personally meaningful ramifications. However, sometimes those implications may be so subtle that they’re not easy to spot, grasp or understand, even though that does not diminish their importance. It’s also interesting to note how they’re frequently revealed simultaneously, heightening their impact, especially if they’re considered in tandem with one another, a circumstance that may be hard to ignore. Such are the dynamics at work in the latest offering from iconic filmmaker Steven Spielberg, “Disclosure Day,” handily the director’s best picture in years.

‘Tuner’ creates harmony from imperfection

It’s often been observed that “order comes out of chaos,” a notion that might seem counterintuitive but frequently rings true. It’s also something that can be seen in a variety of contexts, with corollaries all their own tailored to the area of endeavor in question. In the world of music, this idea can be applied to the tuning of instruments – specifically pianos – wherein it’s been said that “harmony can arise out of imperfection,” a principle that, ironically, can also be applied to each of us as well.

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