Wrapping up the 2025 Chicago Latino Film Festival

The 41st annual edition of the Chicago Latino Film Festival – the longest continuously running event of its kind in the US – is now in the books, having featured an array of narrative, documentary and short films in local theaters and community centers. Here’s my take on what I watched and what I thought.

Wrapping Up the 2024 Black Harvest Film Festival

The 30th annual edition of the Gene Siskel Film Center’s Black Harvest Film Festival is now in the books, having featured an array of narrative, documentary and short films. The event featured a strong lineup of offerings this year, perhaps the best I’ve ever seen at this festival. In all, I managed to catch six films during the festival’s two-week run. So, with that said, here’s my take on what I watched and what I thought.

‘Day One’ examines the lust for life at death’s doorstep

There are times in life when what we crave most is, regrettably, not available to us. That’s particularly true for those on death’s doorstep. While individuals experiencing such circumstances may understand and even accept the inevitability of the fate that faces them, there may still be a part of them that wants or needs to hold on, perhaps to complete unfinished business, address a task that has not yet been tackled or ensure the care and well-being of others.

‘El Conde’ metaphorically skewers a dictator’s life

In the wake of the recent 50th anniversary of the 1973 Chilean coup d’etat that resulted in the overthrow of democratically elected President Salvador Allende, an effort led by the country’s military and backed by the US government, a number of film projects (both documentary and narrative features) have been released looking back on this event. These projects have taken a variety of forms, and one of the most unusual (and creative) among them has been a production that takes a metaphorical and wickedly satirical look at the life of Allende’s successor, dictator Augusto Pinochet (1915-2006), portraying him in a surreal but fitting milieu, as seen in the hilarious but insightful allegorical biography, “El Conde” (“The Count”).

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