The 41st annual edition of the Chicago Latino Film Festival – the longest continuously running event of its kind in the US – is now in the books, having featured an array of narrative, documentary and short films in local theaters and community centers. Here’s my take on what I watched and what I thought.
The 30th annual edition of the Gene Siskel Film Center’s Black Harvest Film Festival is now in the books, having featured an array of narrative, documentary and short films. The event featured a strong lineup of offerings this year, perhaps the best I’ve ever seen at this festival. In all, I managed to catch six films during the festival’s two-week run. So, with that said, here’s my take on what I watched and what I thought.
With this year’s 60th edition of the Chicago International Film Festival in the books, I’ve completed my screenings for 2024. And here's what I thought.
Anyone who missed the July movie review edition of the Frankiesense & More video podcast can now catch the recorded version on The Good Media Network Facebook page on Facebook or YouTube.
Join yours truly and show host Frankie Picasso for looks at seven new films and a few other surprises on the upcoming movie review edition of the Frankiesense & More video podcast, to begin airing Thursday July 18 at 1 pm ET.
Reviews of "A Quiet Place: Day One," "Golden Years" and "Late Bloomers," along with a podcast preview, are all in the latest Movies with Meaning post on the web site of The Good Media Network.
There are times in life when what we crave most is, regrettably, not available to us. That’s particularly true for those on death’s doorstep. While individuals experiencing such circumstances may understand and even accept the inevitability of the fate that faces them, there may still be a part of them that wants or needs to hold on, perhaps to complete unfinished business, address a task that has not yet been tackled or ensure the care and well-being of others.
With the 40th (and my first-ever) Chicago Latino Film Festival now in the books, it’s time to take a look at what I screened. The event featured films from 28 countries in the Caribbean, Central and South America, and Europe, along with a number of other nations that provided financial and production support. Regrettably, however, based on what I saw, I was largely disappointed with this event, which has given me pause to think about whether I will attend again next year.
In the wake of the recent 50th anniversary of the 1973 Chilean coup d’etat that resulted in the overthrow of democratically elected President Salvador Allende, an effort led by the country’s military and backed by the US government, a number of film projects (both documentary and narrative features) have been released looking back on this event. These projects have taken a variety of forms, and one of the most unusual (and creative) among them has been a production that takes a metaphorical and wickedly satirical look at the life of Allende’s successor, dictator Augusto Pinochet (1915-2006), portraying him in a surreal but fitting milieu, as seen in the hilarious but insightful allegorical biography, “El Conde” (“The Count”).
The 41st annual edition of Chicago’s Reeling International LGBTQ+ Film Festival is now in the books, having featured an array of narrative, documentary and short films in theaters and online. Here’s my take on what I watched and what I thought.
