Overcoming Prejudice on The Cinema Scribe
Tune in for the latest Cinema Scribe segment on Bring Me 2 Life Radio, beginning Tuesday September 12.
Tune in for the latest Cinema Scribe segment on Bring Me 2 Life Radio, beginning Tuesday September 12.
Willingly excluding certain segments of society makes absolutely no sense. By denying productive, creative individuals from the ability to participate in the development of our world, we run the risk of cutting ourselves off from innovations that make our life more fulfilling, enjoyable and equitable. Unfortunately, there are close-minded forces out there that would seek to restrict some of us from the liberties and freedoms that help to make society thrive in healthy and satisfying ways. And those who are left on the outside looking in must decide whether they want to surrender and conform or to rebel and challenge such limiting ways of thinking.
The 40th annual edition of Chicago’s Reeling International LGBTQ+ Film Festival is now in the books, having featured an array of narrative, documentary and short films on theaters and online. While the event had its strong points, the overall programming was a little less satisfying compared to past years. Nevertheless, I managed to screen 16 films during the festival’s two-week run. So, with that said, here’s my take on what I watched and what I thought.
It’s quite something when an event happens that captures the world’s attention. Unfortunately, it usually involves some form of natural or manmade disaster or the death of a prominent figure. But then there are times when occurrences take place that collectively captivate us, bringing out the compassion and humanity in us all and frequently producing miraculous results.
The Whitaker St. Louis International Film Festival recently completed its 2021 edition in its first-ever hybrid format with theatrical and virtual screening options. This flexible approach made it possible for viewers to screen over 90% of its more than 400 feature films and shorts in the traditional manner at multiple locations or from the comfort of their own homes.
The festival’s 57th edition had its share of fine offerings, but there were also a number of pictures that could have been better. Below are my summary reviews of the releases I watched. Full reviews of select films are to come, where noted.
Reeling 39, Chicago’s International LGBTQ+ Film Festival, recently completed its 2021 edition in its first-ever hybrid format with both theatrical and virtual screening options. This flexible approach made it possible for viewers to screen a variety of films in the traditional manner or from the comfort of their own homes.
With the 2021 American Film Institute Documentary Film Festival (AFI DOCS) now in the books, it’s time to sum up the 12 offerings that I screened, some of which will be released in theaters, online and on television on the very near future. A number of excellent films are coming out of this festival, and I encourage viewers to catch them when available.
Knowing when to hold on and when to let go can be a frustrating, anxiety-ridden exercise, especially under highly charged conditions. The feelings involved might even leave us emotionally paralyzed, unable to make a decision in either direction, simply because we’re left overwhelmed and locked in place.
One of the great joys of reviewing movies is the opportunity to attend film festivals. They offer moviegoers a chance to see multiple offerings in myriad genres from countries all over the globe, featuring everything from little-known independent productions to Hollywood blockbusters. And so it is with my hometown event, the Chicago International Film Festival, which just recently completed its 55th edition. The Chicago festival just keeps getting better and better every year. I’ve attended many of the festivals over the past 40 years (I started attending when I was 2…), and I’ve seen vast improvements in programming and staging in that time, efforts that have truly made this a world class event. Over 12 days, I screened 15 films, [...]