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So far Brent Marchant has created 1561 blog entries.

‘Eleanor the Great’ wrestles with the merits of ‘the good lie’

We’ve all been taught the wisdom behind the notion of “honesty is the best policy.” It’s sound, solid guidance that’s nearly always appropriate (provided it’s not carried to an unhealthy extreme). But what about the opposite of this advice: Is there ever any benefit in a falsehood, the so-called “good lie?” At first glance, it might be easy to dismiss this idea out of hand, but what if something less than truthful is capable of imparting insight, inspiration or comfort to someone in distress? In cases like that, can it realistically be summarily rejected?

‘Eternity’ wrestles with the perils of hard choices

Life can sometimes present us with hard choices. However, strange as it might sound, death might actually hand us some even bigger ones. That might throw us for a huge, unexpected loop, especially if we go into the afterlife envisioning it as a stress-free experience, one assumed to be characterized by unending happiness and bliss. Such is the dilemma posed to a recently deceased woman who now faces a decision that’s not at all what she anticipated, a choice far greater and more difficult than anything she experienced while alive.

‘Bugonia’ urges us to ask, ‘what’s real and what isn’t?’

In an age where distinguishing what seems genuine from something that’s clandestinely veiled, it may be difficult to know what to believe. As a result, we might abandon any attempt to identify inherent (and potentially significant) differences. Or, by contrast, we may become so obsessed with reconciling the truth behind such discrepancies that we descend into a sea of paranoia and conspiracy theories, potentially seeing shadows at every turn and placing ourselves on the sidelines of reality with virtually no credibility to our names. In actuality, the “truth” probably resides somewhere in between, but where and how do we draw the lines of accurate and meaningful distinction?

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