‘Bugonia’ urges us to ask, ‘what’s real and what isn’t?’
In an age where distinguishing what seems genuine from something that’s clandestinely veiled, it may be difficult to know what to believe. As a result, we might abandon any attempt to identify inherent (and potentially significant) differences. Or, by contrast, we may become so obsessed with reconciling the truth behind such discrepancies that we descend into a sea of paranoia and conspiracy theories, potentially seeing shadows at every turn and placing ourselves on the sidelines of reality with virtually no credibility to our names. In actuality, the “truth” probably resides somewhere in between, but where and how do we draw the lines of accurate and meaningful distinction?
