There are so many things that can go wrong in life that it hardly seems wise, practical or prudent to go looking for ways to make our existence needlessly grueling. Yet, if we’re truly honest with ourselves, there are plenty of situations that can all too easily yield undue stress, pain and difficulty – and all as a result of our own making, too. But why would we do that?
It’s admirable when someone has obvious enthusiasm for a personal passion and is eager to share that sentiment with others. Most of us can probably appreciate and relate to that kind of fervor, happy for the individual’s obviously ardent zeal. But it can be off-putting when our reaction is seen as less than enthusiastic and met with condescension, arrogance and disdain.
Imagine if there were no “Casablanca” (1942). No “Jaws” (1975). No “2001: A Space Odyssey” (1968), no “Avatar” (2009), no “Wizard of Oz” (1939). The prospect is unthinkable, even to the most casual moviegoer (imagine what that would mean for an avid cinephile). That’s what we’d face if no concerted effort were made to preserve these films for posterity.
All too often, we set limits for ourselves that come to define us, sometimes in a far too restrictive way. But are we enduringly confined to such constraints, or can we surpass them and achieve more than we thought we’re capable of? The answer may surprise us
When we look upon the works of gifted artists – regardless of the medium involved – we’re often tempted to wonder where the abilities that gave rise to them came from. To be sure, much of the credit obviously belongs to these creative types themselves, but still there are other influences that help to nudge their talents to the surface, inspirations that bring out their innate skills and enable them to flourish.
Getting ahead in life is certainly admirable, but what happens when that drive gets seriously out of hand? Can we stifle the mayhem that’s sure to result? That’s especially problematic when the fate of a nation and its leadership are at stake.
Passing judgment is something that, for what it’s worth, seems to come all too easily to most of us. That’s especially true when someone engages in acts that affect us negatively, and, in some cases, such blame may be genuinely deserved. But what happens if such effects result from acts that originate with honest, benign intentions?
Think you know what constitutes existence? Are you sure? A close look may reveal a picture far different from what we think we know, one that crosses dimensional lines and offers us infinite possibilities for exploration and experience – far more than we may have typically imagined and involving avenues for expression that are limited only by our imaginations.
With the 2021 American Film Institute Documentary Film Festival (AFI DOCS) now in the books, it’s time to sum up the 12 offerings that I screened, some of which will be released in theaters, online and on television on the very near future. A number of excellent films are coming out of this festival, and I encourage viewers to catch them when available.
True geniuses in cinema are indeed rare, despite the tremendous inflationary hype that has occurred in bestowing such an esteemed degree of recognition in recent years. It’s a title that should be reserved for those who have brought their brilliance to the art and advanced it in ways that had not been previously dared or even envisioned.
