When life doesn’t quite turn out as planned, it’s easy to become frustrated, cynical and embittered, falling into a trap of unrelenting wallowing and victimhood from which it’s difficult to escape. It’s disappointing, to be sure, when circumstances don’t pan out as hoped for. But what will staying in such a rut accomplish?
Ambition is a dual-edged sword. On one hand, it can drive the fulfillment of tremendous noteworthy and beneficial accomplishments. On the other hand, however, it can get out of control when left unchecked, taking us places that are better left unexplored. Given that, then, we must ask ourselves, “What will it be – a path to achievement or a road to ruin?”
Is it possible that something can be harnessed for good, on the one hand, and for just the opposite, on the other? If we put our mind to it, we can problem think of many examples. Fire, for instance, can be used for cooking and heating when employed judiciously. At the same time, though, it could also be used as a tool for arsonists. Similarly, there are countless instances where knives can serve useful purposes and many others where they can wreak havoc. Some would contend that nuclear energy can be both beneficial and destructive, depending on how it’s used. And on and on it goes for numerous other devices, substances and technologies.
“Aniara” (2018 production, 2019 release). Cast: Emelie Jonsson, Bianca Cruzeiro, Arvin Kananian, Anneli Martini, Jennie Silfverhjelm, Emma Broomé, Jamil Drissi, Leon Jiber, David Nzinga, Peter Carlberg, Dakota Trancher Williams, Otis Costillo Ålhed, Dante Westergårdh. Directors: Pella Kågerman and Hugo Lilja. Screenplay: Pella Kågerman and Hugo Lilja. Source Material: Harry Martinson, poem, Aniara. Web site. Trailer. Starting over can seem like a dual-edged sword. In some ways, it may appear to be a tremendous opportunity to begin afresh. In other ways, though, we might feel devastated, completely overwhelmed by what we find ourselves up against. And, in the midst of that conundrum, we could be beset by the feeling of being totally adrift, unable to find our way, emotions not unlike [...]
“Alice” (2019 production, 2020 release). Cast: Emilie Piponnier, Martin Swabey, Jules Milo Levy Mackerras, Chlöé Boreham, Ariana Rodriguez Giraldo, Juliette Tresanini, Christophe Favre, Philippe de Monts, David Coburn. Robert Burns, Marie-Laure Dougnac, Marie Coulonjou, Marine Blake (voice). Director: Josephine Mackerras. Screenplay: Josephine Mackerras. Web site. Trailer. Life sure seems unfair at times. We may think we’ve got it made when, all of a sudden, everything evaporates before our very eyes. We might be shattered (and rightfully so), unsure of where to turn next. However, such a turning point could be one of the best things to ever befall us, a scenario explored in the new French domestic drama, “Alice.” From all appearances, Alice Ferrand (Emilie Piponnier) leads a stable, contented, reasonably [...]
“Can You Ever Forgive Me?” (2018). Cast: Melissa McCarthy, Richard E. Grant, Jane Curtin, Dolly Wells, Ben Falcone, Christian Navarro, Stephen Spinella, Gregory Korostishevsky, Anna Deavere Smith, Pun Bandu, Erik LaRay Harvey, Brandon Scott Jones, Marc Evan Jackson, Sandy Rosenberg, Towne the cat. Director: Marielle Heller. Screenplay: Nicole Holofcener and Jeff Whitty. Book: Lee Israel, Can You Ever Forgive Me? Web site. Trailer. Creativity is a wonderful thing. It gives us great satisfaction, and it can lead to the production of marvelous conceptions made manifest. It offers boundless opportunities for exploration and expression, adding constantly to the richness of human experience. But is it always benevolent and uplifting, or can it be contorted into questionable forms that get out of [...]
