When we think of the concept of “family,” we most often consider it as something made up of those with whom we’re developed our closest bonds. This has traditionally been built on a basis of biology, but, over time, we’ve seen that change. And, in some cases, it’s become something that may arise as a result of unexpected circumstances, sometimes exceedingly unfathomable ones.
When we look upon the works of gifted artists – regardless of the medium involved – we’re often tempted to wonder where the abilities that gave rise to them came from. To be sure, much of the credit obviously belongs to these creative types themselves, but still there are other influences that help to nudge their talents to the surface, inspirations that bring out their innate skills and enable them to flourish.
Nobody wants to look bad. So we frequently go to great lengths when it comes to making a good impression, and there’s nothing wrong with that. But what happens when we start crossing lines that, in an attempt to preserve our image, begin negatively affecting others?
Every so often, innovators come along in various fields of endeavor who shake things up and create something unique and inventive, revolutionary conceptions that set their particular milieus of expression on their ear. These creations set new standards for others to emulate or adapt, sometimes even birthing entirely distinct genres different from others that preceded them.
Some things bear repeating, especially when they’re important and have been disregarded or not taken seriously. It doesn’t matter how many times or how emphatically the message has been said, either. If the word is not getting through as effectively as it should be – or at all – then it needs reiteration, particularly when the stakes are high.
Getting ahead in life is certainly admirable, but what happens when that drive gets seriously out of hand? Can we stifle the mayhem that’s sure to result? That’s especially problematic when the fate of a nation and its leadership are at stake.
Art is one of the unique aspects of our existence that distinguish us as singularly human. It inspires us in myriad ways and helps give our lives meaning. In fact, it occupies such an esteemed place of importance in our reality that we often go to great lengths to ensure that its significance and value are sufficiently respected and venerated.
Our interpersonal relationships are among the most prized aspects of our lives. They’re cherished gifts to ourselves and to those we care about, and preserving them is of the utmost importance. But what happens when we drift apart, not necessarily because of intentionally malicious acts, tragedies or other negative influences, but simply because of circumstances brought about by separation of time and distance. Can those connections be sustained or, if needed, rebuilt?
Listening to our conscience often proves challenging. In many instances, we know in our heart of hearts what we should and shouldn’t take part in. But saying no isn’t always easy, especially if our necks are on the line if we refuse to play along. Indeed, it can be difficult to stick to our guns when we have one pointed at our head.
“Mank” (2020). Cast: Gary Oldman, Amanda Seyfried, Arliss Howard, Charles Dance, Lily Collins, Tom Pelphrey, Ferdinand Kingsley, Tuppence Middleton, Joseph Cross, Monika Gossmann, Sam Troughton, Tom Burke, Jamie McShane, Bill Nye, Jeff Harms, Paul Fox. Director: David Fincher. Screenplay: Jack Fincher. Web site. Trailer. Speaking our truth is indeed a noble pursuit. Our faithfulness to our own authenticity is a clear indicator of our integrity, a quality widely respected by others and of which we should be personally proud. But not everyone appreciates such candor, especially if it ruffles the feathers of those who stand to lose much from such revelations. So it was for the writer of a big screen classic as depicted in the new Hollywood back story [...]
