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Year: 2015

Explore 'Cinematic Probabilities'

Explore ‘Cinematic Probabilities’

Check out “Cinematic Probabilities,” my latest article about conscious creation and the movies, in the latest edition of New Consciousness Review magazine, available on pp. 52-54, by clicking here ...

‘In My Dreams’ assesses matters of perspective

“I’ll See You in My Dreams” (2015). Cast: Blythe Danner, Sam Elliott, June Squibb, Rhea Perlman, Mary Kay Place, Martin Starr, Malin Akerman, Mark Adair-Rios, Max Gail. Director: Brett Haley. Screenplay: Marc Basch and Brett Haley. Web site. Trailer. Are you happy with your life? Does it bring you the satisfaction and fulfillment you seek? Or does it fall below expectations? If it comes up short, why do you think that’s so? Answers to these thorny questions may be elusive, but, when they reveal themselves, they may be full of surprises, especially when it comes to identifying who’s responsible for the nature of one’s existence. It’s an unlikely subject for exploration in a romantic comedy-drama, but that’s just what happens in the new heartfelt release, “I’ll See You in My Dreams.” Carol Petersen (Blythe Danner) knows a lot about love and loss. Having been widowed 20 years earlier, when her adoring husband was tragically killed in a plane crash, the spry 70-something now spends most of her days on her own, living alone in a small but comfortable home. She has a close circle of card-playing friends who live in a nearby retirement community (June Squibb, Rhea Perlman, Mary Kay ...

‘Tomorrowland’ asks, ‘What kind of world do we want?’

“Tomorrowland” (2015). Cast: George Clooney, Hugh Laurie, Britt Robertson, Raffey Cassidy, Tim McGraw, Kathryn Hahn, Keegan-Michael Key, Chris Bauer, Thomas Robinson, Pierce Gagnon, Shiloh Nelson. Director: Brad Bird. Screenplay: Damon Lindelof and Brad Bird. Story: Damon Lindelof, Brad Bird and Jeff Jensen. Web site. Trailer. Is the world we live in something that we create, or is it something that’s capriciously thrust upon us? Consequently, should we look upon our circumstances with supreme optimism or eternal pessimism? Indeed, what are we to make of it all? In the end, there are no “right” or “wrong” answers to these questions, for it all ultimately depends on what we believe. And that’s where the story begins in the new summertime action-adventure, “Tomorrowland.” In 1964, aspiring young inventor Frank Walker (Thomas Robinson) attends the New York World’s Fair in hopes of winning a prize in an inventors’ competition. He stakes his claim on his creation of a personal jetpack, a novel idea that, though fun and whimsical, doesn’t quite work. Even though he makes an impassioned case for the merits of his device, the head of the inventors’ contest, David Nix (Hugh Laurie), summarily dismisses the brainchild of the young Edison. But, despite ...
‘Madding Crowd’ celebrates choice, independence, discernment

‘Madding Crowd’ celebrates choice, independence, discernment

“Far from the Madding Crowd” (2015). Cast: Carey Mulligan, Michael Sheen, Matthias Schoenaerts, Tom Sturridge, Juno Temple, Jessica Barden. Director: Thomas Vinterberg. Screenplay: David Nicholls. Book: Thomas Hardy, Far from the Madding Crowd. Web site. Trailer. Many of us are favorably impressed by those savvy individuals who exude confidence and have a knack for self-assuredness. Their independent spirits make them objects of emulation. Indeed, who wouldn’t want to be like them? Regrettably, a good many of us look upon them in intimidation or envy, wishing we could follow their leads (and frequently believing that we can’t). But looking to their experiences is exactly what we should do if we ever hope to change our own circumstances. One particularly inspiring example is more than amply set by the Victorian heroine in the classic Thomas Hardy novel, “Far from the Madding Crowd,” recently released in a beautiful new cinematic adaptation. Anyone who thinks they can “tame” Bathsheba Everdene (Carey Mulligan) is in for a rude awakening. Even though the independent, self-confident, charismatic young woman’s approach to life is rather uncommon for 19th Century England, she makes it perfectly clear that she will do as she will, no matter what others may say ...

‘Welcome to Me’ probes the awakening of self-awareness

“Welcome to Me” (2014 production, 2015 release). Cast: Kristen Wiig, Wes Bentley, Tim Robbins, Jennifer Jason Leigh, James Marsden, Joan Cusack, Linda Cardellini, Loretta Devine, Thomas Mann, Alan Tudyk, Mitch Silpa, Kulap Vilaysack, Joyce Hiller Piven, Jack Wallace. Director: Shira Piven. Screenplay: Eliot Laurence. Web site. Trailer. Becoming self-aware is something we each do in our own way. Much depends on what we feel we need to discover about ourselves in the first place, which obviously varies – sometimes considerably – from person to person, based on the circumstances we’ve each created in our respective existences. This task can be especially daunting when those circumstances are characterized by particular types of challenges in need of resolution, as evidenced by the experience of a lost soul in search of herself in the hilarious new dark comedy, “Welcome to Me.” What would you do with your money if you suddenly found yourself the recipient of an $86 million lottery prize? Many of us would likely buy a nice home, spring for an expensive car or travel the world in style. But, when Alice Klieg (Kristen Wiig) comes up a winner, she has some rather unusual ideas for how to spend her fortune ...
‘Tangerines’ indicts the perils of belief entrenchment

‘Tangerines’ indicts the perils of belief entrenchment

“Tangerines” (“Mandariinid”) (2013 production, 2015 release). Cast: Lembit Ulfsak, Elmo Nüganen, Giorgi Nakashidze, Mikheil Meskhi, Raivo Trass. Director: Zaza Urushadze. Screenplay: Zaza Urushadze. Web site. Trailer. We all get stuck from time to time. Whether it’s the funk of a rut or something more debilitating, the feelings it engenders are often quite strong. That can be especially true when elements of spite work into the mix, producing emotions that take on a life of their own and often prevent us from seeing our way clear of it. Such is the case in the gripping Estonian wartime drama, “Tangerines” (“Mandariinid”). Set in 1992 in the Abkhazia region of the former Soviet republic of Georgia, the film follows a trio of principals caught up in a bitter civil war. Abkhazian separatists, backed by Russians and mercenaries from Chechnya, sought to take control of the area and thwart the efforts of Georgian peace keepers charged with quelling the rebel uprising. Initial skirmishes escalated into full-scale battles, and many were killed. Caught between these warring factions were communities of ethnic Estonians, whose ancestors immigrated to the region nearly a century earlier and lived peaceful lives as farmers for generations. By the time the war ...
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