It’s with tremendous sadness that I must report a death, the passing of Star Trek: Starfleet Academy (SFA), along with its loyal companion and devoted muse, creativity. Both will be sorely missed, at least by anyone with a modicum of common sense and open-mindedness, who doesn’t fear change, diversity or fairness, or who doesn’t live in their parents’ basement.
Reviews of "Bugonia" and "Eternity," along with a Chicago Film Festival wrap-up, are all in the latest Movies with Meaning post on the web site of The Good Media Network.
In an age where distinguishing what seems genuine from something that’s clandestinely veiled, it may be difficult to know what to believe. As a result, we might abandon any attempt to identify inherent (and potentially significant) differences. Or, by contrast, we may become so obsessed with reconciling the truth behind such discrepancies that we descend into a sea of paranoia and conspiracy theories, potentially seeing shadows at every turn and placing ourselves on the sidelines of reality with virtually no credibility to our names. In actuality, the “truth” probably resides somewhere in between, but where and how do we draw the lines of accurate and meaningful distinction?
“The Extraordinary Journey of Celeste Garcia” (“El viaje extraordinario de Celeste García”) (2018). Cast: María Isabel Díaz, Omar Franco, Néstor Jiménez, Yerlín Pérez, Tamara Castellanos, Veronica Diaz, Roberto Espinosa, Reinier Díaz, Andrea Doimeadios, Beatriz Viña. Director: Arturo Infante. Screenplay: Arturo Infante. Web site. Trailer. Much of our life is spent just trying to figure out how it all works. This leaves us little time to devote to attaining what we really hope for out of it. And, even then, we may not get it right through many attempts at doing so. But, at some point, we just might hit upon the right formula, one that gives us the happiness and contentment we seek. Such an odyssey is the stuff of [...]
With the 54th annual Chicago International Film Festival now complete, here’s my take on what I screened and what I thought about the releases in question. “An Acceptable Loss” (USA) This edge-of-your-seat political thriller unfolds gradually and with steadily increasing intensity, leading up to a climax that will leave viewers breathless, an approach not unlike that used by director Roman Polanski in such films as “Chinatown” (1974) and “The Ghost Writer” (2010). The picture follows former National Security Advisor Libby Lamm (Tika Sumpter) after she leaves government to become a university lecturer, a position for which she receives a less-than-hospitable welcome. It’s a circumstance that naturally begs the question, “Why?” Viewers come to discover the reasons as her story plays [...]
