‘Monster’ seeks to arrive at the whole truth

Is it possible to know the real truth behind a particular situation? It’s often been said that, as outside onlookers, we only see a fraction of what’s involved in the unfolding of a specific scenario. And, because of that, we might well piece together an incomplete view of things, based primarily on what we believe about them, given that they shape our perspective and, subsequently, the materialized existence that emerges.

2024-01-30T11:24:33-05:00December 28th, 2023|Conscious Creation, Drama, Foreign, LGBTQ+, Movie Reviews|

‘Official Competition’ wrangles with rivalry, self-deception

To thine own self be true. It’s solid, sage advice we’d all be wise to heed, especially if we lose sight of it and fall prey to the perils of self-deception, something that can get us into trouble with both ourselves and others. Yet it’s astounding how often we ignore this wisdom and stray off into dangerous territory, full of pitfalls with serious consequences.

2022-08-01T11:32:46-05:00July 10th, 2022|Comedy, Conscious Creation, Foreign, Movie Reviews|

The Best – and Worst – of 2019

With another year coming to a close, it’s time for my annual review of the best – and worst – in cinema of the past 12 months. And what a generally disappointing year it was. Truly great films were few and far between, with only a handful earning the status of being genuinely outstanding. Some offerings were commendable, and many were adequate, but quite a few were sorely lacking. In fact, in compiling my list, I had far less trouble coming up with my Bottom 10 than I did with those at the top, something that speaks volumes about the quality of 2019’s offerings. This is something that’s reflected in this year’s field of Oscar nominees as well, a subject [...]

2020-02-02T02:25:25-05:00January 16th, 2020|Movie Reviews|

Wrapping Up the Chicago Film Festival

With the 54th annual Chicago International Film Festival now complete, here’s my take on what I screened and what I thought about the releases in question. “An Acceptable Loss” (USA) This edge-of-your-seat political thriller unfolds gradually and with steadily increasing intensity, leading up to a climax that will leave viewers breathless, an approach not unlike that used by director Roman Polanski in such films as “Chinatown” (1974) and “The Ghost Writer” (2010). The picture follows former National Security Advisor Libby Lamm (Tika Sumpter) after she leaves government to become a university lecturer, a position for which she receives a less-than-hospitable welcome. It’s a circumstance that naturally begs the question, “Why?” Viewers come to discover the reasons as her story plays [...]

2018-11-20T10:11:53-05:00October 23rd, 2018|Movie Reviews|
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