Can something good come out of something bad? It may seem unlikely, but it is possible, provided we’re willing to make the effort to look for it and to recognize the meaning behind the circumstances that gave rise to the situation in the first place.
Is it possible that something can be harnessed for good, on the one hand, and for just the opposite, on the other? If we put our mind to it, we can problem think of many examples. Fire, for instance, can be used for cooking and heating when employed judiciously. At the same time, though, it could also be used as a tool for arsonists. Similarly, there are countless instances where knives can serve useful purposes and many others where they can wreak havoc. Some would contend that nuclear energy can be both beneficial and destructive, depending on how it’s used. And on and on it goes for numerous other devices, substances and technologies.
“Mank” (2020). Cast: Gary Oldman, Amanda Seyfried, Arliss Howard, Charles Dance, Lily Collins, Tom Pelphrey, Ferdinand Kingsley, Tuppence Middleton, Joseph Cross, Monika Gossmann, Sam Troughton, Tom Burke, Jamie McShane, Bill Nye, Jeff Harms, Paul Fox. Director: David Fincher. Screenplay: Jack Fincher. Web site. Trailer. Speaking our truth is indeed a noble pursuit. Our faithfulness to our own authenticity is a clear indicator of our integrity, a quality widely respected by others and of which we should be personally proud. But not everyone appreciates such candor, especially if it ruffles the feathers of those who stand to lose much from such revelations. So it was for the writer of a big screen classic as depicted in the new Hollywood back story [...]
“Parasite” (“Gisaengchung”) (2019). Cast: Kang-ho Song, Hye-jin Jang, So-dam Park, Woo-sik Choi, Sun-kyun Lee, Yeo-jeong Jo, Jung Ziso, Hyun-jun Jong, Jeong-eun Lee, Myeong-hoon Park, Seo-joon Park, Keun-rok Park. Director: Bong Joon-ho. Screenplay: Jin Won Hon and Bong Joon-ho. Web site. Trailer. When the have-nots stare down the ample resources of the haves, there’s almost always sure to be a degree of envy involved. “How is it that they’ve come to acquire what we haven’t?” they might legitimately ask. “Why can’t we have some of that?” Those questions have merit, too. But how far are the have-nots willing to go to get what they seek? That’s a crucial issue posed in the new social satire, “Parasite” (“Gisaengchung”). Times are tough for [...]
