What makes us successful as creative beings? That’s a question that scholars, philosophers and artists have been asking rhetorically for eons. Much, of course, depends on the nature of the creation. A lot also depends on the traits and temperaments of the creators. But the actual mix of attributes necessary for achieving such fulfillment may ultimately be difficult to define – or, as the French might say, a certain je ne sais quoi.
Getting along with others sometimes isn’t easy, even under the best of circumstances. Differences – of almost any kind – can become obstacles that impede communications and understanding, potentially making relations between individuals and groups problematic or even impossible. But conditions need not remain that way if we make an effort to get past them, an undertaking that generally calls for finding common ground and seeking solidarity.
Regrettably, convincing idealism is an increasingly rare commodity in political circles these days. With so many politicians looking out for themselves and their cronies, it’s become difficult to find those we can genuinely trust. Indeed, how are we supposed to put our faith in what they say? Every so often, though, there are those who come along who appear to defy such low expectations.
“Portrait of a Lady on Fire” (“Portrait de la jeune fille en feu”) (2019). Cast: Noémie Merlant, Adèle Haenel, Luàna Bajrami, Valeria Golino. Director: Céline Sciamma. Screenplay: Céline Sciamma. Web site. Trailer. Asserting our right to openly proclaim who we love seems like a birthright we should all possess without hindrance. But, under some circumstances, doing so may be difficult, especially when we’re pressured to conform to the dictates of others. That’s unfortunately true even today, but it was far worse in the past, when social sanctions and familial obligations were much more restricting and pervasive, as illustrated in the French period piece drama, “Portrait of a Lady on Fire” (“Portrait de la jeune fille en feu”). In 1760 France, [...]
“Pig” (“Khook”) (2018 production, 2019 release). Cast: Hassan Majooni, Leila Hatami, Leili Rashidi, Parinaz Izadyar, Siamak Ansari, Ainaz Azarhoush, Ali Bagheri, Mina Jafarzadeh, Ali Masaffa. Director: Mani Haghighi, Screenplay: Mani Haghighi. Web site. Trailer. What does it mean to be liked? That can be a loaded question, depending on the context. But, in an age of omnipresent social media (and the social ostracism that often accompanies it, which can take myriad forms, again depending on the context), that question can become even more precarious. And, on top of all that, our responses to those circumstances can be truly mind-boggling. These are just some of the issues faced by an insecure citizen in an insecure society in the offbeat new Iranian [...]
