If I had to sum up this year’s Chicago International Film Festival with one word, it would definitely be “underwhelming.” This year’s programming left much to be desired, especially in its virtual programming, which was scaled back considerably from previous years. This, in my opinion, is decidedly a step backwards.
The festival’s 57th edition had its share of fine offerings, but there were also a number of pictures that could have been better. Below are my summary reviews of the releases I watched. Full reviews of select films are to come, where noted.
The Whitaker St. Louis International Film Festival recently completed its 2020 edition in its first-ever all-virtual format. With the future of theatrical screenings in limbo due to the COVID-19 pandemic, this alternative approach made it possible for the Festival to go forward, and it worked remarkably well, enabling viewers to screen a variety of films while remaining safe at home. As has been the case with other such events this year, this is a viable approach well worth considering for future programs, even without the threat of a pandemic. It makes it possible to offer the Festival’s films to a wider audience and provides flexible viewing conditions, benefits not necessarily available when presented exclusively in theatrical venues. Because of this [...]
