Questions related to assisted suicide and the right to die have been debated hotly for decades, and proponents on each side of these issues have made passionate arguments for their causes. Is it ethical to help someone take his or her own life, or must its sanctity be preserved at all costs? At the same time, is it proper to deny someone the right to bring their existence to an end if they so choose, especially if they are in extreme pain or if they feel that their continuation is anguishing or pointless?
Imagine if there were no “Casablanca” (1942). No “Jaws” (1975). No “2001: A Space Odyssey” (1968), no “Avatar” (2009), no “Wizard of Oz” (1939). The prospect is unthinkable, even to the most casual moviegoer (imagine what that would mean for an avid cinephile). That’s what we’d face if no concerted effort were made to preserve these films for posterity.
Every so often, innovators come along in various fields of endeavor who shake things up and create something unique and inventive, revolutionary conceptions that set their particular milieus of expression on their ear. These creations set new standards for others to emulate or adapt, sometimes even birthing entirely distinct genres different from others that preceded them.