With 2023 now in the books, it’s time to look back on the year in movies. In this first of three blogs, I spotlight my Top 10 Films of 2023, followed by 10 Honorable Mentions and an open-ended list (in alphabetical order) of other releases that I found noteworthy.
As this year’s edition of the Chicago International Film Festival winds down, I’ve completed my screenings for 2023. I viewed seven films in all, which is considerably fewer than in recent years, for a variety of reasons (cost, venues, programming), and I must admit I’m coming away from the event somewhat disappointed.
Contrary to popular belief, experiencing the breadth and power of the divine is not something necessarily limited to civil, sedate, well-mannered, rigidly choreographed rituals conducted in ornate indoor settings by individuals decked out in costumes not unlike what one would find in a Las Vegas floor show. Rather, in its purest state, it’s more of a wild, untamed force that unleashes its raw, unrestrained energy in potent, unexpected ways that often leave witnesses awestruck as to its sheer magnitude and expression, particularly in natural surroundings. It’s not exactly what most of us were taught in Sunday school or what we heard in sermons from the pulpit.
All too often, we think we know an individual or community when, in fact, we don’t understand them well or at all. There could be various reasons for this – a lack of information volunteered by the subjects in question, preconceived notions on our part, widely circulated commonly held misconceptions, or even so-called, generally accepted urban legends. It’s unfortunate when these developments occur, because they frequently present us with an inaccurate, misleading perception. That makes setting the record straight a prime consideration.
If it’s March, it wouldn’t be complete without the Gene Siskel Film Center Chicago European Union Film Festival. After several years of adjustment, abbreviation and cancellation due to COVID-19 concerns, the festival finally returned to normal form this year for its 26th annual edition. I managed to screen 10 of the event’s 24 offerings
If I had to sum up this year’s Chicago International Film Festival with one word, it would definitely be “underwhelming.” This year’s programming left much to be desired, especially in its virtual programming, which was scaled back considerably from previous years. This, in my opinion, is decidedly a step backwards.
The Whitaker St. Louis International Film Festival recently completed its 2021 edition in its first-ever hybrid format with theatrical and virtual screening options. This flexible approach made it possible for viewers to screen over 90% of its more than 400 feature films and shorts in the traditional manner at multiple locations or from the comfort of their own homes.
The festival’s 57th edition had its share of fine offerings, but there were also a number of pictures that could have been better. Below are my summary reviews of the releases I watched. Full reviews of select films are to come, where noted.
With the 2021 American Film Institute Documentary Film Festival (AFI DOCS) now in the books, it’s time to sum up the 12 offerings that I screened, some of which will be released in theaters, online and on television on the very near future. A number of excellent films are coming out of this festival, and I encourage viewers to catch them when available.
Is it possible that something can be harnessed for good, on the one hand, and for just the opposite, on the other? If we put our mind to it, we can problem think of many examples. Fire, for instance, can be used for cooking and heating when employed judiciously. At the same time, though, it could also be used as a tool for arsonists. Similarly, there are countless instances where knives can serve useful purposes and many others where they can wreak havoc. Some would contend that nuclear energy can be both beneficial and destructive, depending on how it’s used. And on and on it goes for numerous other devices, substances and technologies.
