At a time when women have come under increasing infringement on their rights and their ability to be themselves, it’s encouraging to see filmmakers rising to the occasion to counter those misguided initiatives, to make it clear that they have much to offer and should not be prevented from doing so. Those contributions take various forms, and they’re now being showcased in three excellent new documentaries, all available for streaming online.
When everything gets taken away from one’s life, it must be nearly impossible to find something that provides a meaningful reason to carry on. The pervasive sense of hopelessness that sets in makes it difficult to establish a purpose in one’s existence. And so it often is for the incarcerated, individuals faced with an uncertain future of indeterminate duration. Under conditions as difficult as these, realistically speaking, one can’t help but wonder whether even the prospect of rehabilitation will actually pan out as a viable option.
When life doesn’t quite turn out as planned, it’s easy to become frustrated, cynical and embittered, falling into a trap of unrelenting wallowing and victimhood from which it’s difficult to escape. It’s disappointing, to be sure, when circumstances don’t pan out as hoped for. But what will staying in such a rut accomplish?
Given humanity’s tremendous capacity for compassion and benevolence, it’s somewhat hard to believe that we’re also capable of qualities at the opposite end of the spectrum. When we consider the magnanimity we often exhibit in times of crisis, it’s difficult to fathom how we can also demonstrate troubling degrees of callous, uncaring indifference toward our fellow man. Yet, if we examine the scope of human history, we can’t willfully ignore the many instances of cruel disregard and unspeakable atrocities we’ve inflicted on others.
When we take on challenging, risky or dangerous tasks, it usually helps to have a back-up plan in place. No matter how well we might plan for all conceivable contingencies, there may be times when things still slip through the cracks and need to be addressed. But, even with such a Plan B option, there may yet be occasions that defy even our best projections and sincerest intentions for trying to identify solutions for the unexpected.
When we look upon the works of gifted artists – regardless of the medium involved – we’re often tempted to wonder where the abilities that gave rise to them came from. To be sure, much of the credit obviously belongs to these creative types themselves, but still there are other influences that help to nudge their talents to the surface, inspirations that bring out their innate skills and enable them to flourish.
Recovering what we’ve lost can be a challenging pursuit. What’s more demanding, however, is searching for something we’ve lost that we don’t realize is missing. This can be especially problematic when it involves our sense of personal power,
Discovering ourselves is often a challenging process, especially when we feel lost and have no idea where or how to look for answers. However, if we remain open to options – including those that appear to be coming to us from unlikely sources – we may just find the guidance we seek.
“The Weasels’ Tale” (“El cuento de las comadrejas”) (2019 production, 2020 release). Cast: Graciela Borges, Oscar Martínez, Luis Brandoni, Marcos Mundstock, Clara Lago, Nicolás Francella, Luz Cipriota, Anwar Yoma, Manuel Martínez Sobrado, Ayelén Dotti, Nicolás Fiore, Adriana Marcela Garibaldi, Dana Gabriela Basso. Director: Juan José Campanella. Screenplay: Juan José Campanella, Augusto Giustozzi, Darren Kloomok and José A. Martínez Suárez. Source Material: Augusto Giustozzi and José A. Martínez Suárez, screenplay, “Los muchachos de antes no usaban arsénico” (“The Boys Before Didn’t Use Arsenic”). Web site. Trailer. Operating from a standpoint of integrity can be difficult enough under the best of conditions, but, when extenuating circumstances adversely impinge upon it, that can make matters much more challenging. Indeed, it can be hard [...]
The Chicago International Film Festival recently completed its 2020 edition in its first-ever all-virtual format. With moviehouses just now beginning to reopen due to the COVID-19 pandemic, this alternative approach made it possible for the Festival to go forward, and it worked remarkably well, enabling viewers to screen a variety of films while remaining safe at home or in the comfort of their vehicles at its drive-in performances. As has been the case with other such events this year, this is a viable approach well worth considering for future programs, even without the threat of a pandemic. It makes it possible to offer the Festival’s films to a wider audience and provides flexible viewing conditions, benefits not necessarily available when presented [...]
