Another year in filmdom has come and gone, and countless movie reviewers have issued their best and worst lists for 2018. And so, with that said, it’s time to add my voice to the chorus, with my choices for the cream of the crop and the curdled cream best discarded. In the interest of full disclosure, I must confess that I did not screen every film that was released in 2018, most notably those that were distributed through limited or select channels or have yet to go into wide release, such as a number of foreign films and a few lesser-known independent productions, like “Stan & Ollie.” However, I did spend considerable time staring at those flickering lights on the [...]