What makes us successful as creative beings? That’s a question that scholars, philosophers and artists have been asking rhetorically for eons. Much, of course, depends on the nature of the creation. A lot also depends on the traits and temperaments of the creators. But the actual mix of attributes necessary for achieving such fulfillment may ultimately be difficult to define – or, as the French might say, a certain je ne sais quoi.
Getting along with others sometimes isn’t easy, even under the best of circumstances. Differences – of almost any kind – can become obstacles that impede communications and understanding, potentially making relations between individuals and groups problematic or even impossible. But conditions need not remain that way if we make an effort to get past them, an undertaking that generally calls for finding common ground and seeking solidarity.
All things eventually come to an end, whether we’re ready for it or not. We may not like what we see, either, especially if we’re troubled by what’s on the horizon. We might even feel like there’s more that we could or should have done to forestall what’s unfolding while we had the chance, opportunities that slipped through our fingers and are unlikely to come again. But sometimes destiny has a way of intervening, giving us another unexpected shot at realizing our aspirations and perhaps even making a meaningful difference.
Various fields of artistic expression often go through radical conversions as a result of the visionary works of a handful – or sometimes even just one – maverick figure. Through the singular works of these individuals, entire genres are frequently transformed. In filmmaking, for example, the name Stanley Kubrick comes to mind. In music, it’s the Beatles. And, in science fiction literature, many often cite the writings of author Ursula K. Le Guin,
Becoming ourselves is often a challenging process. We may have difficulty feeling our way through a cloudy morass of ideas and suggestions, and we might be unsure how to separate the good from the bad. This can be particularly daunting when we’re young, bombarded by others who think they know what’s best for us, leading to confusion and uncertainty
The Chicago International Film Festival recently completed its 2020 edition in its first-ever all-virtual format. With moviehouses just now beginning to reopen due to the COVID-19 pandemic, this alternative approach made it possible for the Festival to go forward, and it worked remarkably well, enabling viewers to screen a variety of films while remaining safe at home or in the comfort of their vehicles at its drive-in performances. As has been the case with other such events this year, this is a viable approach well worth considering for future programs, even without the threat of a pandemic. It makes it possible to offer the Festival’s films to a wider audience and provides flexible viewing conditions, benefits not necessarily available when presented [...]
As most of my readers are aware, I rarely write negative film analyses. The point of this blog is to inform followers about movies that offer inspiring examples of enlightening concepts that we can use to help ourselves in leading more fulfilling lives, particularly where the use of conscious creation/law of attraction principles is concerned. However, every so often, a picture comes along that I feel compelled to write about for reasons other than those stated above. Those instances nearly always involve releases that I find notably disturbing – or, in this case, wantonly disgusting – offerings that, to me, represent deplorable cinematic trends or genres. And that’s what brings me to “John Wick: Chapter 3 – Parabellum” (web site, [...]
Another year in filmdom has come and gone, and countless movie reviewers have issued their best and worst lists for 2018. And so, with that said, it’s time to add my voice to the chorus, with my choices for the cream of the crop and the curdled cream best discarded. In the interest of full disclosure, I must confess that I did not screen every film that was released in 2018, most notably those that were distributed through limited or select channels or have yet to go into wide release, such as a number of foreign films and a few lesser-known independent productions, like “Stan & Ollie.” However, I did spend considerable time staring at those flickering lights on the [...]
