It’s truly astounding how mankind is capable of both tremendous greatness and despicable savagery. How can one species lay claim to both? What’s more, how can both traits be found within a single individual? Yet, in a surprisingly large number of instances, that ends up being the case.
Contrary to popular belief, experiencing the breadth and power of the divine is not something necessarily limited to civil, sedate, well-mannered, rigidly choreographed rituals conducted in ornate indoor settings by individuals decked out in costumes not unlike what one would find in a Las Vegas floor show. Rather, in its purest state, it’s more of a wild, untamed force that unleashes its raw, unrestrained energy in potent, unexpected ways that often leave witnesses awestruck as to its sheer magnitude and expression, particularly in natural surroundings. It’s not exactly what most of us were taught in Sunday school or what we heard in sermons from the pulpit.
When it comes to the notions of acceptance and forgiveness, it’s always important to remember that they’re beliefs that come with another inherent quality – the power of choice. Indeed, in both cases, we’re free to choose to either embrace or ignore these virtues, regardless of what others may think of us or how the perspectives we adopt might make us look. At the same time, though, we must also consider the consequences that come with either of these choices.
Most of us would probably agree with the time-honored adage that “Honesty is the best policy.” But is that really true? Certainly we appreciate its value when it comes to sharing the truth about the circumstances that touch our lives and in expressing the feelings we hold for one another, particularly loved ones. However, is honesty truly worth everything it’s said to be when unadulterated candor cuts like a knife?
Questions related to assisted suicide and the right to die have been debated hotly for decades, and proponents on each side of these issues have made passionate arguments for their causes. Is it ethical to help someone take his or her own life, or must its sanctity be preserved at all costs? At the same time, is it proper to deny someone the right to bring their existence to an end if they so choose, especially if they are in extreme pain or if they feel that their continuation is anguishing or pointless?
It’s quite something when an event happens that captures the world’s attention. Unfortunately, it usually involves some form of natural or manmade disaster or the death of a prominent figure. But then there are times when occurrences take place that collectively captivate us, bringing out the compassion and humanity in us all and frequently producing miraculous results.
In a world where it’s become all too easy to make compromises for the sake of personal considerations to the detriment of people, practices and principles, it’s become almost unfathomable that there are still individuals out there who are ready and willing to stick to their guns.
Dreams carry tremendous power. They give us hope, inspiration and motivation to achieve lofty goals, aspirations that have become synonymous with the very word “dream” itself. But there’s even more to them that; their power, backed by the beliefs that drive them, can impact our existence in unimaginable ways
“Apples” (“Mila”) (2020). Cast: Aris Servetalis, Sofia Georgovassilli, Anna Kalaitzidou, Argiris Bakirtzis, Kostas Laskos, Babis Makridis. Director: Christos Nikou. Screenplay: Christos Nikou and Stavros Raptis. Web site. Trailer. Memory is a funny thing. Some recollections are recalled with the greatest of ease, while others may become fuzzy or even seem to disappear completely. Then there’s the matter of total memory loss (i.e., amnesia), whose effects can be devastating and pervasive. So it is for a growing number of residents of a major city in the quirky new Greek comedy-drama, “Apples” (“Mila”). When a middle-aged Greek man (Aris Servetalis) wakes up on an Athens bus, he has no idea where he is or who he is. When questioned about where he [...]
The Chicago International Film Festival recently completed its 2020 edition in its first-ever all-virtual format. With moviehouses just now beginning to reopen due to the COVID-19 pandemic, this alternative approach made it possible for the Festival to go forward, and it worked remarkably well, enabling viewers to screen a variety of films while remaining safe at home or in the comfort of their vehicles at its drive-in performances. As has been the case with other such events this year, this is a viable approach well worth considering for future programs, even without the threat of a pandemic. It makes it possible to offer the Festival’s films to a wider audience and provides flexible viewing conditions, benefits not necessarily available when presented [...]
