It’s with tremendous sadness that I must report a death, the passing of Star Trek: Starfleet Academy (SFA), along with its loyal companion and devoted muse, creativity. Both will be sorely missed, at least by anyone with a modicum of common sense and open-mindedness, who doesn’t fear change, diversity or fairness, or who doesn’t live in their parents’ basement.
At a time when women have come under increasing infringement on their rights and their ability to be themselves, it’s encouraging to see filmmakers rising to the occasion to counter those misguided initiatives, to make it clear that they have much to offer and should not be prevented from doing so. Those contributions take various forms, and they’re now being showcased in three excellent new documentaries, all available for streaming online.
It’s truly astounding how mankind is capable of both tremendous greatness and despicable savagery. How can one species lay claim to both? What’s more, how can both traits be found within a single individual? Yet, in a surprisingly large number of instances, that ends up being the case.
Family has long been seen as an institution dictated almost exclusively by bloodline considerations. However, over time, this view has gradually shifted to one where family has become what we make of it. It’s a principle that has assumed many forms, too, based on an array of defining characteristics, some of which have deviated significantly from traditional models. But what’s most important behind this development has been the beneficial impact it has had on many individuals who simply didn’t feel as though they belonged with their blood relatives
Trite as it may sound, love is like food, something we need to live. It nourishes and sustains us, and it often makes life worth living. So, when we end up going without it, we generally feel starved.
It’s easy to dismiss certain possibilities as being wholly impossible. But, as life has often shown us, that’s patently lazy, unimaginative thinking. The seemingly implausible can indeed occur with a little adjustment in outlook (and, of course, the accompanying logistics).
When we move toward – or pass – our prime, we may begin to look upon ourselves and our accomplishments with some dismay, especially if we haven’t lived up to expectations. With the clock ticking ever faster, we might well look upon our circumstances with melancholy and disappointment, no matter how well or how poorly we may have done. But we need not be stuck with a grim future or a legacy of regret.
“Aniara” (2018 production, 2019 release). Cast: Emelie Jonsson, Bianca Cruzeiro, Arvin Kananian, Anneli Martini, Jennie Silfverhjelm, Emma Broomé, Jamil Drissi, Leon Jiber, David Nzinga, Peter Carlberg, Dakota Trancher Williams, Otis Costillo Ålhed, Dante Westergårdh. Directors: Pella Kågerman and Hugo Lilja. Screenplay: Pella Kågerman and Hugo Lilja. Source Material: Harry Martinson, poem, Aniara. Web site. Trailer. Starting over can seem like a dual-edged sword. In some ways, it may appear to be a tremendous opportunity to begin afresh. In other ways, though, we might feel devastated, completely overwhelmed by what we find ourselves up against. And, in the midst of that conundrum, we could be beset by the feeling of being totally adrift, unable to find our way, emotions not unlike [...]
“An Acceptable Loss” (2019). Cast: Tika Sumpter, Jamie Lee Curtis, Ben Tavassoli, Jeff Hephner, Deanna Dunagan, Alex Weisman, Ali Burch, Clarke Peters, Rex Linn, David Eigenberg, Carmen Roma, Tim Hopper. Director: Joe Chappelle. Screenplay: Joe Chappelle. Web site. Trailer. In an age when it’s become all too easy to abandon responsibility, especially among those in positions of authority, it’s refreshing to see those who are willing to own up to their mistakes and even seek to redeem themselves for their oversights and misdeeds. But even those who genuinely attempt to make up for these shortcomings may face a difficult time of it and through no fault of their own. So what is one to do under such circumstances? That’s one [...]
