Wrapping Up the 2024 Chicago Film Festival
With this year’s 60th edition of the Chicago International Film Festival in the books, I’ve completed my screenings for 2024. And here's what I thought.
‘Widow Clicquot’ blends creativity, belief, passion
What makes us successful as creative beings? That’s a question that scholars, philosophers and artists have been asking rhetorically for eons. Much, of course, depends on the nature of the creation. A lot also depends on the traits and temperaments of the creators. But the actual mix of attributes necessary for achieving such fulfillment may ultimately be difficult to define – or, as the French might say, a certain je ne sais quoi.
‘Tuesday’ examines making friends with death
Death. It’s a subject that many of us don’t want to deal with, let alone feel comfortable talking about. It can be especially difficult when it involves someone we care deeply about, particularly in a scenario like a parent having to prepare for the loss of a child. Yet death is the one fate we all ultimately share, so it’s not something we can conveniently try to avoid. Given that, then, this is an eventuality that we must all find a way to accept.
‘The Old Oak’ searches for common ground
Getting along with others sometimes isn’t easy, even under the best of circumstances. Differences – of almost any kind – can become obstacles that impede communications and understanding, potentially making relations between individuals and groups problematic or even impossible. But conditions need not remain that way if we make an effort to get past them, an undertaking that generally calls for finding common ground and seeking solidarity.
‘El Conde’ metaphorically skewers a dictator’s life
In the wake of the recent 50th anniversary of the 1973 Chilean coup d’etat that resulted in the overthrow of democratically elected President Salvador Allende, an effort led by the country’s military and backed by the US government, a number of film projects (both documentary and narrative features) have been released looking back on this event. These projects have taken a variety of forms, and one of the most unusual (and creative) among them has been a production that takes a metaphorical and wickedly satirical look at the life of Allende’s successor, dictator Augusto Pinochet (1915-2006), portraying him in a surreal but fitting milieu, as seen in the hilarious but insightful allegorical biography, “El Conde” (“The Count”).
‘El Houb’ fights for recognition and acceptance
Imagine being forced to live your life completely on others’ terms, never doing what you want, no matter how strong your desire. Sounds pretty dismal, right? Yet, for those in certain communities, that kind of coercion can be an everyday circumstance. The isolation can be positively crushing, removed from what suits you and being forced to pursue your dreams in secret, if at all, for fear of the repercussions. And, in the meantime, you’re likely to find yourself behaving in uncomfortable, unnatural ways, tantamount to living a lie.
‘The Inspection’ showcases what makes a family of choice
Family has long been seen as an institution dictated almost exclusively by bloodline considerations. However, over time, this view has gradually shifted to one where family has become what we make of it. It’s a principle that has assumed many forms, too, based on an array of defining characteristics, some of which have deviated significantly from traditional models. But what’s most important behind this development has been the beneficial impact it has had on many individuals who simply didn’t feel as though they belonged with their blood relatives
‘Thirteen Lives’ celebrates the virtues of collaboration
It’s quite something when an event happens that captures the world’s attention. Unfortunately, it usually involves some form of natural or manmade disaster or the death of a prominent figure. But then there are times when occurrences take place that collectively captivate us, bringing out the compassion and humanity in us all and frequently producing miraculous results.
‘Fire in The Mountains’ ignites a feminist manifesto
To paraphrase Bruce Springsteen, it takes a spark to light a fire. But sometimes such blazes don’t take on the first strike. There’s not enough energy behind it to catch flame. In fact, it may take multiple sparks before a conflagration erupts, a concept that’s applicable both literally and metaphorically. But, when things finally come alive, watch out...
‘Minamata’ follows the courageous pursuit of a just cause
When we’re past what we think of as the top of our game, we may grow despondent, disillusioned and withdrawn, perhaps believing that we’ll never get back what we’ve lost. It can be a frustrating and depressing time, one that leaves us sorely wanting. Can the redemption we seek be attained, or is it really too late?