In the wake of the recent 50th anniversary of the 1973 Chilean coup d’etat that resulted in the overthrow of democratically elected President Salvador Allende, an effort led by the country’s military and backed by the US government, a number of film projects (both documentary and narrative features) have been released looking back on this event. These projects have taken a variety of forms, and one of the most unusual (and creative) among them has been a production that takes a metaphorical and wickedly satirical look at the life of Allende’s successor, dictator Augusto Pinochet (1915-2006), portraying him in a surreal but fitting milieu, as seen in the hilarious but insightful allegorical biography, “El Conde” (“The Count”).