The 41st annual edition of the Chicago Latino Film Festival – the longest continuously running event of its kind in the US – is now in the books, having featured an array of narrative, documentary and short films in local theaters and community centers. Here’s my take on what I watched and what I thought.
Choice is arguably the most precious personal resource that we possess. It makes so much possible, and it provides us with so many opportunities to seek the fulfillment of what we hold most dear. Because of that, however, there may well be times when what we choose to embrace and invoke won’t be agreeable to others. But, then, the choices in question are ours and fundamentally not subject to the approval of others, save for cases where their well-being might be placed in jeopardy. That even includes choices involving the direction that our own personal fate ultimately takes, again, no matter what others may have to say about it. Such is the question that’s called for a terminally ill woman in making her decision on whether or not to willfully continue her existence.
Passing judgment is something that, for what it’s worth, seems to come all too easily to most of us. That’s especially true when someone engages in acts that affect us negatively, and, in some cases, such blame may be genuinely deserved. But what happens if such effects result from acts that originate with honest, benign intentions?
There’s more that binds us than meets the eye, and the strings that connect us may take some surprisingly unexpected forms. It may not be possible to anticipate the impact they’ll have, either, but we should nevertheless make an effort to remain conscious about their existence, for the developments that arise from them can be quite striking – and startling.
Inflicting cruel intentions on others is a truly despicable act. But, as appalling as that is, it’s even worse when they’re camouflaged in what appears to be heartfelt, altruistic sincerity.
“The Weasels’ Tale” (“El cuento de las comadrejas”) (2019 production, 2020 release). Cast: Graciela Borges, Oscar Martínez, Luis Brandoni, Marcos Mundstock, Clara Lago, Nicolás Francella, Luz Cipriota, Anwar Yoma, Manuel Martínez Sobrado, Ayelén Dotti, Nicolás Fiore, Adriana Marcela Garibaldi, Dana Gabriela Basso. Director: Juan José Campanella. Screenplay: Juan José Campanella, Augusto Giustozzi, Darren Kloomok and José A. Martínez Suárez. Source Material: Augusto Giustozzi and José A. Martínez Suárez, screenplay, “Los muchachos de antes no usaban arsénico” (“The Boys Before Didn’t Use Arsenic”). Web site. Trailer. Operating from a standpoint of integrity can be difficult enough under the best of conditions, but, when extenuating circumstances adversely impinge upon it, that can make matters much more challenging. Indeed, it can be hard [...]
