If it’s March, it wouldn’t be complete without the Gene Siskel Film Center Chicago European Union Film Festival. After several years of adjustments, the festival has gone through yet another transformation for its 27th annual edition.
Most of us would probably agree with the time-honored adage that “Honesty is the best policy.” But is that really true? Certainly we appreciate its value when it comes to sharing the truth about the circumstances that touch our lives and in expressing the feelings we hold for one another, particularly loved ones. However, is honesty truly worth everything it’s said to be when unadulterated candor cuts like a knife?
Stepping up to the forefront to establish oneself as a readily identifiable quantity can be a daunting prospect. There may be a temptation to hold back, buying into the notion that there’s safety in numbers. But will such a cautious approach get us noticed or, more importantly, leave us feeling fulfilled?
How often do we seriously take the time to contemplate life’s bigger questions? We either preoccupy ourselves with everyday matters that unwittingly prompt us to put these issues on the back burner, or we may view these subjects as too daunting or scary, pushing them into the dark recesses of our consciousness for later handling (opportunities for which almost never surface). But how prepared do these approaches leave us for the time when we really will have to address them?
Passing judgment is something that, for what it’s worth, seems to come all too easily to most of us. That’s especially true when someone engages in acts that affect us negatively, and, in some cases, such blame may be genuinely deserved. But what happens if such effects result from acts that originate with honest, benign intentions?
The Whitaker St. Louis International Film Festival recently completed its 2020 edition in its first-ever all-virtual format. With the future of theatrical screenings in limbo due to the COVID-19 pandemic, this alternative approach made it possible for the Festival to go forward, and it worked remarkably well, enabling viewers to screen a variety of films while remaining safe at home. As has been the case with other such events this year, this is a viable approach well worth considering for future programs, even without the threat of a pandemic. It makes it possible to offer the Festival’s films to a wider audience and provides flexible viewing conditions, benefits not necessarily available when presented exclusively in theatrical venues. Because of this [...]
“The Bare Necessity” (“Perdrix”) (2019 production, 2020 release). Cast: Swann Arlaud, Maud Wyler, Fanny Ardant, Nicolas Maury, Patience Munchenbach, Alexandre Steiger, Bastiste Kerroué. Director: Erwan Le Duc. Screenplay: Erwan Le Duc. Web site. Trailer. How often have you wanted to rid yourself of the unnecessary elements of your life, removing the clutter and seriously focusing only on what’s most important? Like cleaning an overstuffed closet, it’s something many of us say we have to get around to doing one day but somehow don’t manage to find the time – that is, until our hand is forced and we have to do it out of necessity. Wouldn’t it be easier if we made peace with the idea and just went ahead with [...]
