‘The Teachers’ Lounge’ charts a molehill’s evolution

We’ve all no doubt heard about the proverbial molehill unwittingly being made into a mountain. The inconsequential somehow manages to become overly (and unnecessarily) inflated, taking on undeserved significance. This usually comes about as a result of undue attention paid to it by those who have self-serving agendas that they want to see escalated and addressed to resolve petty or trumped-up grievances. And the result is a chaotic maelstrom characterized by overhyped shrieking and misplaced ridicule, often directed at the wrong parties or the wrong issues.

2024-03-13T08:46:27+00:00February 18th, 2024|Conscious Creation, Drama, Foreign, Movie Reviews|

‘The Zone of Interest’ weighs the cost of indifference

Given humanity’s tremendous capacity for compassion and benevolence, it’s somewhat hard to believe that we’re also capable of qualities at the opposite end of the spectrum. When we consider the magnanimity we often exhibit in times of crisis, it’s difficult to fathom how we can also demonstrate troubling degrees of callous, uncaring indifference toward our fellow man. Yet, if we examine the scope of human history, we can’t willfully ignore the many instances of cruel disregard and unspeakable atrocities we’ve inflicted on others.

2024-03-06T02:02:26+00:00February 9th, 2024|Conscious Creation, Drama, Foreign, Movie Reviews|

‘Monster’ seeks to arrive at the whole truth

Is it possible to know the real truth behind a particular situation? It’s often been said that, as outside onlookers, we only see a fraction of what’s involved in the unfolding of a specific scenario. And, because of that, we might well piece together an incomplete view of things, based primarily on what we believe about them, given that they shape our perspective and, subsequently, the materialized existence that emerges.

2024-01-30T11:24:33+00:00December 28th, 2023|Conscious Creation, Drama, Foreign, LGBTQ+, Movie Reviews|

‘El Conde’ metaphorically skewers a dictator’s life

In the wake of the recent 50th anniversary of the 1973 Chilean coup d’etat that resulted in the overthrow of democratically elected President Salvador Allende, an effort led by the country’s military and backed by the US government, a number of film projects (both documentary and narrative features) have been released looking back on this event. These projects have taken a variety of forms, and one of the most unusual (and creative) among them has been a production that takes a metaphorical and wickedly satirical look at the life of Allende’s successor, dictator Augusto Pinochet (1915-2006), portraying him in a surreal but fitting milieu, as seen in the hilarious but insightful allegorical biography, “El Conde” (“The Count”).

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