This Week in Movies with Meaning
Reviews of "Touch," "Network," "Downwind" and "Little Richard: I Am Everything" are all in the latest Movies with Meaning post on the web site of The Good Media Network.
What Might Have Been on The Cinema Scribe
Tune in for the latest Cinema Scribe segment on Bring Me 2 Life Radio, beginning Tuesday July 23, at https://bringme2life.com/. You can also catch it later on demand on Spreaker, Spotify, Apple Podcasts, iHeartRadio, Podchaser, Audible, Deezer, Podcast Addict and Jiosaavn.
‘Touch’ explores what might have been
“Touch” (“Snerting”) (2024). Cast:. Egill Ólafsson, Kōki, Pálmi Kormákur, Masahiro Motoki, Yoko Narahashi, Ruth Sheen, Masatoshi Nakamura, Meg Kubota, Tatsuya Tagawa, Charles Nishikawa, Sigurour Ingvarsson, Starkaour Pétursson, Akshay Khanna, Kieran Buckeridge, Benedikt Ellingsen, Maria Ellingsen, Eiji Mihara, Eugene Nomura, Harpa Elísa Ϸórsdóttir (voice). Director: Baltasar Kormákur. Screenplay: Baltasar Kormákur and Ólafur Jóhann Ólafsson. Book: Ólafur Jóhann Ólafsson, Touch (2022). Web site. Trailer. No matter how well life may treat us, almost everyone undergoes a memorable, fulfilling experience that, unfortunately, doesn’t last as long as we thought (or hoped) it would. These scenarios – usually romantic in nature – leave such profound, enduring impressions on us that we can’t shake them when they end, often abruptly and somewhat unceremoniously. We tend [...]
The Best of 2023
With 2023 now in the books, it’s time to look back on the year in movies. In this first of three blogs, I spotlight my Top 10 Films of 2023, followed by 10 Honorable Mentions and an open-ended list (in alphabetical order) of other releases that I found noteworthy.
‘Godland’ chronicles a spiritually evolutionary journey
Contrary to popular belief, experiencing the breadth and power of the divine is not something necessarily limited to civil, sedate, well-mannered, rigidly choreographed rituals conducted in ornate indoor settings by individuals decked out in costumes not unlike what one would find in a Las Vegas floor show. Rather, in its purest state, it’s more of a wild, untamed force that unleashes its raw, unrestrained energy in potent, unexpected ways that often leave witnesses awestruck as to its sheer magnitude and expression, particularly in natural surroundings. It’s not exactly what most of us were taught in Sunday school or what we heard in sermons from the pulpit.
Wrapping Up the 2022 Chicago Film Festival
If I had to sum up this year’s Chicago International Film Festival with one word, it would definitely be “underwhelming.” This year’s programming left much to be desired, especially in its virtual programming, which was scaled back considerably from previous years. This, in my opinion, is decidedly a step backwards.
‘Skál’ celebrates the virtues of personal freedom
Where would we be without personal freedom? The prospect is rather daunting, especially once we consider what we’d lose. Its absence can prove particularly detrimental during certain times in our lives, such as adolescence and young adulthood, when we’re just beginning to grasp the possibilities that the world can offer us.
Wrapping Up the 2021 Chicago Film Festival
The festival’s 57th edition had its share of fine offerings, but there were also a number of pictures that could have been better. Below are my summary reviews of the releases I watched. Full reviews of select films are to come, where noted.
‘Against the Current’ navigates the quest for personal truth
To truly prove ourselves, sometimes we must pursue goals that are seriously over the top, quests that most of us would view as seemingly impossible, possibly even foolhardy. The statements such gestures make go a long way toward validating the intents behind them. But, perhaps even more importantly, they say a lot about us – who we are, what we’re championing and what we’re made of.
‘A White, White Day’ traverses the obscure fringes of reality
“A White, White Day” (“Hvítur, hvítur dagur”) (2019 production, 2020 release). Cast: Ingvar Eggert Sigurðsson, Ída Mekkin Hylnsdôttir, Hilmir Snær Guðnason, Sara Dögg Ásgeirsdôttir, Björn Ingi Hilmarsson, Elma Stefania Agustsdottir, Haraldur Stefansson, Laufey Elíasdôttir, Sigurður Sigurjônsson, Arnmundur Ernst Björnsson, þor Hrafnsson Tulinius. Director: Hylnur Palmason. Screenplay: Hylnur Palmason. Web site. Trailer. Feeling unsettled is one of the worst frames of mind in which we can find ourselves. We know something is genuinely disturbing us, but we can’t pinpoint exactly what. We might become restless or ornery and not even be able to say why. And, try as we might to determine the cause of this malaise, we’re often still left without an answer – that is, until we look deeper [...]