With 2023 now in the books, it’s time to look back on the year in movies. In this second of three blogs, I spotlight my Bottom 10 Films of 2023, followed by 10 Dishonorable Mentions and an open-ended list (in alphabetical order) of other releases that I found disappointing.
With 2023 now in the books, it’s time to look back on the year in movies. In this first of three blogs, I spotlight my Top 10 Films of 2023, followed by 10 Honorable Mentions and an open-ended list (in alphabetical order) of other releases that I found noteworthy.
As this year’s edition of the Chicago International Film Festival winds down, I’ve completed my screenings for 2023. I viewed seven films in all, which is considerably fewer than in recent years, for a variety of reasons (cost, venues, programming), and I must admit I’m coming away from the event somewhat disappointed.
The 41st annual edition of Chicago’s Reeling International LGBTQ+ Film Festival is now in the books, having featured an array of narrative, documentary and short films in theaters and online. Here’s my take on what I watched and what I thought.
If it’s March, it wouldn’t be complete without the Gene Siskel Film Center Chicago European Union Film Festival. After several years of adjustment, abbreviation and cancellation due to COVID-19 concerns, the festival finally returned to normal form this year for its 26th annual edition. I managed to screen 10 of the event’s 24 offerings
Some things bear repeating, especially when they’re important and have been disregarded or not taken seriously. It doesn’t matter how many times or how emphatically the message has been said, either. If the word is not getting through as effectively as it should be – or at all – then it needs reiteration, particularly when the stakes are high.
Ambition is a dual-edged sword. On one hand, it can drive the fulfillment of tremendous noteworthy and beneficial accomplishments. On the other hand, however, it can get out of control when left unchecked, taking us places that are better left unexplored. Given that, then, we must ask ourselves, “What will it be – a path to achievement or a road to ruin?”
The Whitaker St. Louis International Film Festival recently completed its 2021 edition in its first-ever hybrid format with theatrical and virtual screening options. This flexible approach made it possible for viewers to screen over 90% of its more than 400 feature films and shorts in the traditional manner at multiple locations or from the comfort of their own homes.
The festival’s 57th edition had its share of fine offerings, but there were also a number of pictures that could have been better. Below are my summary reviews of the releases I watched. Full reviews of select films are to come, where noted.
Reeling 39, Chicago’s International LGBTQ+ Film Festival, recently completed its 2021 edition in its first-ever hybrid format with both theatrical and virtual screening options. This flexible approach made it possible for viewers to screen a variety of films in the traditional manner or from the comfort of their own homes.
