Death. It’s a subject that many of us don’t want to deal with, let alone feel comfortable talking about. It can be especially difficult when it involves someone we care deeply about, particularly in a scenario like a parent having to prepare for the loss of a child. Yet death is the one fate we all ultimately share, so it’s not something we can conveniently try to avoid. Given that, then, this is an eventuality that we must all find a way to accept.
Wanting the best for one’s children is a natural tendency for many parents. But how far is one willing to go to see this ambition realized? For some, this takes the form of supportive but restrained encouragement, a healthy approach, to be sure. But what happens when the push for success becomes an obsession, one driven by ever-escalating expectations that put undue pressure on the kids?
When we think about sports, we usually tend to consider the game in question and the competition involved. Yet rarely do we think about the participants engaged in such contests – the individuals who are taking part and what drives them to compete. Considering the dynamics of these scenarios, there are often powerful motivations at work, mindsets reflective of the drives, aims and goals of the competitors
To paraphrase Bruce Springsteen, it takes a spark to light a fire. But sometimes such blazes don’t take on the first strike. There’s not enough energy behind it to catch flame. In fact, it may take multiple sparks before a conflagration erupts, a concept that’s applicable both literally and metaphorically. But, when things finally come alive, watch out...
Passing judgment is something that, for what it’s worth, seems to come all too easily to most of us. That’s especially true when someone engages in acts that affect us negatively, and, in some cases, such blame may be genuinely deserved. But what happens if such effects result from acts that originate with honest, benign intentions?
Imagine having something to say, but no one is able to understand you. With no active dialogue or meaningful feedback involved, the “conversation” soon turns one-sided. And, if no responses are forthcoming any time soon, loneliness and sadness are bound to set in. The feeling of isolation this creates could easily become overwhelming. It’s a truly disheartening situation. But, in this case, this scenario isn’t describing something that one of us is experiencing; it’s an account of what might very well be happening to one of our fellows in the animal kingdom,
When we move toward – or pass – our prime, we may begin to look upon ourselves and our accomplishments with some dismay, especially if we haven’t lived up to expectations. With the clock ticking ever faster, we might well look upon our circumstances with melancholy and disappointment, no matter how well or how poorly we may have done. But we need not be stuck with a grim future or a legacy of regret.
Our interpersonal relationships are among the most prized aspects of our lives. They’re cherished gifts to ourselves and to those we care about, and preserving them is of the utmost importance. But what happens when we drift apart, not necessarily because of intentionally malicious acts, tragedies or other negative influences, but simply because of circumstances brought about by separation of time and distance. Can those connections be sustained or, if needed, rebuilt?
“God of the Piano” (2019 production, 2020 release). Cast: Naama Preis, Andi Lev, Ron Bitterman, Ze’ev Shimshoni, Alon Openhaim, Shimon Mimran, Leora Rivlin, Itay Zipor. Director: Itay Tal. Screenplay: Itay Tal. Web site. Trailer. Preserving a family legacy is certainly a noble goal. It provides a sense of continuity that links the generations and gives a family its character, reputation and even notoriety. But how far is one willing to go to keep up the tradition? At what point does a goal turn into an obsession? And what are the costs of going too far? Those are among the issues raised and addressed in the captivating new Israeli psychological thriller, “God of the Piano.” Anat Tal (Naama Preis) comes from [...]
“To Dust” (2018 production, 2019 release). Cast: Géza Röhrig, Matthew Broderick, Leo Heller, Ziv Zaifman, Janet Sarno, Bern Cohen, Ben Hammer, Joseph Siprut, Marceline Hugot, Isabelle Phillips, Natalie Carter, Leanne Michelle Watson. Director: Shawn Snyder. Screenplay: Jason Begue and Shawn Snyder. Web site. Trailer. We all have expectations about how life is supposed to unfold. In fact, we may feel so confident about them that we even take them for granted. But what happens when they don’t materialize as anticipated? That can easily make us uncomfortable, perhaps even unnerved, especially when there are high emotional stakes involved. And, when that process moves forward seemingly unchecked, we may even grow obsessive about these unmet expectations. So it is for a grieving widower [...]
