The 30th annual edition of the Gene Siskel Film Center’s Black Harvest Film Festival is now in the books, having featured an array of narrative, documentary and short films. The event featured a strong lineup of offerings this year, perhaps the best I’ve ever seen at this festival. In all, I managed to catch six films during the festival’s two-week run. So, with that said, here’s my take on what I watched and what I thought.
An old expression maintains “Don’t believe everything you read in the newspapers.” It’s an adage that seems to have taken on increasing relevancy these days, too. But there was a time not all that long ago when many in the public were willing to accept without question whatever information was reported in the media. Fortunately, there were those who were astute enough to recognize when things didn’t add up and were willing to raise their voices in protest.
There are times when certain talents don’t receive their due, lingering somewhat below the radar and arguably going undervalued. Fortunately, there are those who recognize their gifts and unhesitatingly sing their praises, bringing a new sense of appreciation to their work. And those testimonials serve to shed a new light on these artists, showcasing them in a way not previously portrayed.
As a society that worships those in the celebrity spotlight, we tend to place these icons on pedestals, imbuing them with almost superhuman attributes. We often look on them as leading seemingly perfect lives. We may even wonder, “What problems could they possibly have?” But, given their seemingly larger-than-life accomplishments, we frequently lose sight of the fact that these luminaries are people just like the rest of us.
All too often, we think we know an individual or community when, in fact, we don’t understand them well or at all. There could be various reasons for this – a lack of information volunteered by the subjects in question, preconceived notions on our part, widely circulated commonly held misconceptions, or even so-called, generally accepted urban legends. It’s unfortunate when these developments occur, because they frequently present us with an inaccurate, misleading perception. That makes setting the record straight a prime consideration.
Pulling together for the sake of a common objective is undoubtedly a worthy ambition. The spirit of cooperation that goes into such ventures can be tremendously satisfying, especially upon fulfillment. With challenges and obstacles melting away, everyone involved comes one step closer to attainment. But remaining committed to the mutual nature of the endeavor is essential
When faced with a seemingly insurmountable challenge, it would be easy to throw in the towel. At the same time, though, when we also know that what we wish to bring into being is something we must do, such awareness compels us to strive ever forward, regardless of the effort and cost involved. But how can that be accomplished?
Imagine being saddled with a label that was anything but true. What’s more, imagine being cruelly persecuted for that erroneous characterization, subjected to emotional and even physical abuse, making life unbearable. Prejudice, discrimination and harassment are nearly constant companions, and such treatment is often inflicted by one’s nearest and dearest, including family members. If it’s possible to picture that, then you have an idea what it might have been like for members of a patently and unfairly disrespected minority community that did nothing to earn or deserve such disgrace.
Living one’s truth is indeed a virtue – and one that some say is becoming increasingly rare in these contentious times. It’s unclear whether this is due to an unwillingness or an inability to do so. Either way, though, if we’re to revive this practice, we need inspiring examples to draw from
“House of Cardin” (2019 production, 2020 release). Cast: Interviews: Pierre Cardin, Jean-Paul Gaultier, Naomi Campbell, Sharon Stone, Alice Cooper, Jean-Michel Jarre, Dionne Warwick, Amy Fine-Collins, Phillippe Starck, Hanae Mori. Archive Footage: Jeanne Moreau, Andre Oliver, Hiroko Matsumoto. Directors: P. David Ebersole and Todd Hughes. Web site. Trailer. Style – it’s something that can be challenging to get right but all too easy to get wrong. Achieving success at it can seem like a random, even capricious endeavor. But when it works, it works. And, if someone manages to make a habit out of catching the brass ring, that’s one fortunate individual indeed. Such has been the case for a truly inspired innovator who has left his mark on the design [...]
