It’s that time of year again – time for my predictions of the winners at the upcoming annual Academy Awards. For me, this is generally a labor of love, but this year’s awards season has been strange – wild, unpredictable and, ultimately, often frustrating, which has made looking into my cinematic crystal ball far more difficult than in most years.
It’s that time of year again – time for my predictions of the winners at the upcoming annual Academy Awards.
In the wake of the recent 50th anniversary of the 1973 Chilean coup d’etat that resulted in the overthrow of democratically elected President Salvador Allende, an effort led by the country’s military and backed by the US government, a number of film projects (both documentary and narrative features) have been released looking back on this event. These projects have taken a variety of forms, and one of the most unusual (and creative) among them has been a production that takes a metaphorical and wickedly satirical look at the life of Allende’s successor, dictator Augusto Pinochet (1915-2006), portraying him in a surreal but fitting milieu, as seen in the hilarious but insightful allegorical biography, “El Conde” (“The Count”).
It’s that time of year again – time for my predictions of the winners at the upcoming annual Academy Awards.
Removing oneself from a difficult situation can be a challenging task. Numerous impediments can infringe on the process, not only making it difficult to execute, but even to launch. That prospect can be exacerbated even further for those in the public eye, their words and deeds scrutinized in virtually every detail.
Reeling 38, Chicago’s International LGBTQ+ Film Festival, recently completed its 2020 edition in its first-ever all-virtual format. With movie houses just now beginning to reopen due to the COVID-19 pandemic, this alternative approach made it possible for the festival to go forward, and it worked remarkably well, enabling viewers to screen a variety of films while remaining safe at home. In fact, in some ways, this is a viable approach well worth considering for future events, one that makes it possible to offer the festival’s films to a wider audience and providing flexible viewing conditions, benefits not necessarily available when presented in theatrical venues. Because of this new format, I was able to screen a greater number of films than [...]
