It’s been said that “life is what you make of it,” that “we become what we believe.” To some, this probably seems like the content of a warm, fuzzy, inspirational greeting card. But, if we truly take the time to examine ourselves and our lives, we’re likely to find that there’s more than a small kernel of truth in these observations.
Some would say – and quite astutely at that – there’s plenty of madness to go around these days, and they’d be right. But where and when did this begin? Many would increasingly agree that a good place to start looking would be the COVID-19 Pandemic, a time when fear was ratcheted up, conspiracy theories ran amok, “protective” measures slid into excessive overreach, neighbors routinely spied on (and often made unsupported accusations about) neighbors, and people’s imaginations were let loose without restraint. What began as an alleged but widely legitimized public health crisis soon spilled over into myriad other areas of life as tempers, paranoia and disinformation flared to new heights. So why did this happen?
With the 40th (and my first-ever) Chicago Latino Film Festival now in the books, it’s time to take a look at what I screened. The event featured films from 28 countries in the Caribbean, Central and South America, and Europe, along with a number of other nations that provided financial and production support. Regrettably, however, based on what I saw, I was largely disappointed with this event, which has given me pause to think about whether I will attend again next year.
It’s truly astounding how mankind is capable of both tremendous greatness and despicable savagery. How can one species lay claim to both? What’s more, how can both traits be found within a single individual? Yet, in a surprisingly large number of instances, that ends up being the case.
No one likes feeling trapped by his or her circumstances (at least not overtly), but sometimes we find ourselves unwittingly confined by the walls that physically and/or metaphorically surround us. These “cages” or “prisons” keep us locked in place, preventing us from moving forward in our lives. And no matter how much we may want to see our way clear, sometimes we’re unable to figure out how to proceed.
Coming of age is a human process that virtually everyone goes through, no matter where one lives and under what conditions. It’s a time of wonder, exploration and challenge as we examine and seek to understand the world in which we find ourselves. It’s an odyssey that’s generally as diverse as the various surroundings in which we reside. Yet there are also elements quite common to each individual’s particular experience...
Listening to our conscience often proves challenging. In many instances, we know in our heart of hearts what we should and shouldn’t take part in. But saying no isn’t always easy, especially if our necks are on the line if we refuse to play along. Indeed, it can be difficult to stick to our guns when we have one pointed at our head.
Solitude can have its virtues, especially when we’re trying to complete a personally significant project or engage in meaningful introspection. But, if we’re not careful, it can become a little too comfortable if we allow it to persist for too long, making it difficult to get out of that trap. Knowing when to let go and rejoin the world of the living is crucial to avoid losing ourselves, a point driven home loud and clear in the new romantic comedy-drama, “The Outside Story.”
“Clemency” (2019). Cast: Alfre Woodard, Aldis Hodge, Wendell Pierce, Richard Schiff, Richard Gunn, Michael O’Neill, Vernee Watson, Dennis Haskins, LaMonica Garrett, Danielle Brooks, Michelle C. Bonilla, Alex Castillo, Alma Martinez. Director: Chinonye Chukwu. Screenplay: Chinonye Chukwu. Web site. Trailer. Life and death matters generally give us pause to reflect upon our outlook on life, especially from a moral standpoint. But what happens when we’re conflicted? Can we sort out our feelings to come up with beliefs that lead to the right decisions about such issues? Such is the dilemma faced by a high-ranking prison official in the intense new drama, “Clemency.” Bernadine Williams (Alfre Woodard) has spent many years as the warden of a maximum security prison, and, from the [...]
“Just Mercy” (2019). Cast: Michael B. Jordan, Brie Larson, Jamie Foxx, Rafe Spall, Tim Blake Nelson, O’Shea Jackson Jr., Rob Morgan, Darrell Britt-Gibson, Karan Kendrick, Michael Harding, Lindsay Ayliffe, Dominic Bogart, C.J. LeBlanc, Andrene Ward-Hammond, Rhoda Griffis. Director: Destin Daniel Cretton. Screenplay: Destin Daniel Cretton and Andrew Lanham. Book: Bryan Stevenson, Just Mercy. Web site. Trailer. One would like to hope that justice is served every time a legal matter arises, but, fortunately (or perhaps unfortunately), most of us are wise enough to realize that’s not the case. That’s especially troubling in proceedings where capital punishment is concerned, given the ramifications involved. We can only hope that matters turn out as they should and that the truth is not sacrificed [...]
