The 30th annual edition of the Gene Siskel Film Center’s Black Harvest Film Festival is now in the books, having featured an array of narrative, documentary and short films. The event featured a strong lineup of offerings this year, perhaps the best I’ve ever seen at this festival. In all, I managed to catch six films during the festival’s two-week run. So, with that said, here’s my take on what I watched and what I thought.
“Touch” (“Snerting”) (2024). Cast:. Egill Ólafsson, Kōki, Pálmi Kormákur, Masahiro Motoki, Yoko Narahashi, Ruth Sheen, Masatoshi Nakamura, Meg Kubota, Tatsuya Tagawa, Charles Nishikawa, Sigurour Ingvarsson, Starkaour Pétursson, Akshay Khanna, Kieran Buckeridge, Benedikt Ellingsen, Maria Ellingsen, Eiji Mihara, Eugene Nomura, Harpa Elísa Ϸórsdóttir (voice). Director: Baltasar Kormákur. Screenplay: Baltasar Kormákur and Ólafur Jóhann Ólafsson. Book: Ólafur Jóhann Ólafsson, Touch (2022). Web site. Trailer. No matter how well life may treat us, almost everyone undergoes a memorable, fulfilling experience that, unfortunately, doesn’t last as long as we thought (or hoped) it would. These scenarios – usually romantic in nature – leave such profound, enduring impressions on us that we can’t shake them when they end, often abruptly and somewhat unceremoniously. We tend [...]
There are times when certain talents don’t receive their due, lingering somewhat below the radar and arguably going undervalued. Fortunately, there are those who recognize their gifts and unhesitatingly sing their praises, bringing a new sense of appreciation to their work. And those testimonials serve to shed a new light on these artists, showcasing them in a way not previously portrayed.
Where do we turn when the bottom falls out? That’s difficult enough at any age, but what is one to do when going through an impressionable time of life, such as adolescence? The coming of age considerations that teens face are often burdensome enough in themselves. However, when they’re compounded by a significant loss, starting over may seem impossible.
When we think of the concept of “family,” we most often consider it as something made up of those with whom we’re developed our closest bonds. This has traditionally been built on a basis of biology, but, over time, we’ve seen that change. And, in some cases, it’s become something that may arise as a result of unexpected circumstances, sometimes exceedingly unfathomable ones.
Compassion is something we could all use more of these days. That’s especially true for those who are trying to resolve difficult personal challenges. They need backing when it comes to helping them sort out the issues they face. But how do we offer support, particularly when we see others engaging in what we believe to be self-destructive behavior?
We like to think that we’re fundamentally all equal, and, in idealistic terms, it’s hard to take issue with that notion. However, from a practical, realistic standpoint, inequality is unfortunately alive and well in so many contexts. It’s undoubtedly unfair that such differences have been allowed to continue to hold sway and that there are those who must endure such inequities. But can the situation be rectified?
Where would we be without personal freedom? The prospect is rather daunting, especially once we consider what we’d lose. Its absence can prove particularly detrimental during certain times in our lives, such as adolescence and young adulthood, when we’re just beginning to grasp the possibilities that the world can offer us.
It’s easy to dismiss certain possibilities as being wholly impossible. But, as life has often shown us, that’s patently lazy, unimaginative thinking. The seemingly implausible can indeed occur with a little adjustment in outlook (and, of course, the accompanying logistics).
When beset by an unspeakable tragedy, it can be nearly impossible to regroup. Those who care about us will undoubtedly try to lift our spirits and help us get our bearings back, but that may not be enough, especially if our heart and spirit are not in it.
