‘Eternity’ wrestles with the perils of hard choices

Life can sometimes present us with hard choices. However, strange as it might sound, death might actually hand us some even bigger ones. That might throw us for a huge, unexpected loop, especially if we go into the afterlife envisioning it as a stress-free experience, one assumed to be characterized by unending happiness and bliss. Such is the dilemma posed to a recently deceased woman who now faces a decision that’s not at all what she anticipated, a choice far greater and more difficult than anything she experienced while alive.

‘Bugonia’ urges us to ask, ‘what’s real and what isn’t?’

In an age where distinguishing what seems genuine from something that’s clandestinely veiled, it may be difficult to know what to believe. As a result, we might abandon any attempt to identify inherent (and potentially significant) differences. Or, by contrast, we may become so obsessed with reconciling the truth behind such discrepancies that we descend into a sea of paranoia and conspiracy theories, potentially seeing shadows at every turn and placing ourselves on the sidelines of reality with virtually no credibility to our names. In actuality, the “truth” probably resides somewhere in between, but where and how do we draw the lines of accurate and meaningful distinction?

‘Peacock’ seeks the nature of the self and our existence

In this age of increasingly untrustworthy AI, rampant fake news and unabashedly self-serving social media, it’s becoming ever more difficult for many of us to distinguish what’s “real” and what isn’t these days, almost as if we’re stuck in a frightening new Orwellian paradigm. That’s significant, not only for how we perceive existence, but even in terms of how we experience and respond to it. In fact, these circumstances might even be looked upon as a metaphysical or existential nightmare. But how do we cope with such circumstances?

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